Salome with the Head of St John the BaptistCarlo Dolci · 1665

  • SchildermediumOil On Canvas
  • Type mediumWallArt
  • KunststromingBaroque
  • Creatiedatum1665
  • KunstperiodeEarly Modern
  • Afmetingen122.0 x 96.0 cm
  • MuseumDe Koninklijke Collectie

Carlo Dolci (1616 – 1686)

Carlo Dolci (1616-1686): Ontdek de serene vroomheid en gedetailleerde precisie van deze Florentijnse Barokmeester. Bekijk zijn religieuze meesterwerken zoals 'St. Sebastian' en leer over zijn artistieke nalatenschap.

De Koninklijke Collectie (Windsor, Verenigd Koninkrijk)

Ontdek de Koninklijke Collectie te Windsor Castle! Verken eeuwenoude kunst, geschiedenis & koninklijke schatten. Een fascinerende reis door het Britse koningshuis. Bezoek vandaag nog!

A Masterpiece of Baroque Devotion

In the quiet, evocative depths of Carlo Dolci’s 1665 masterpiece, Salome with the Head of St John the Baptist, viewers are invited into a moment of profound psychological tension and spiritual weight. This oil on canvas, a jewel of the Florentine Baroque, transcends mere biblical illustration to become an intimate study of guilt, consequence, and the heavy burden of desire. The scene captures the chilling climax of the biblical narrative: Salome, having danced for King Herod, presents the severed head of St John the Baptist upon a silver platter. Yet, rather than a triumph of vengeance, Dolci offers us a portrait of haunting introspection. As she gazes away from her grisly prize, her expression is not one of malice, but of a complex, lingering remorse that pulls at the heartstrings of every observer.

The artistry of Dolci is nothing short of extraordinary, characterized by a meticulousness that defines the Florentine School. Every inch of the canvas serves to heighten the sensory experience; the cool, luminous sheen of the silver platter contrasts sharply with the rich, deep blues of Saloste's attire and the delicate, translucent quality of her skin. His technique involves incredibly fine brushstrokes that create a sense of tangible texture—from the intricate patterns of her jewelry to the soft, tragic realism of the saint's features. This level of detail does not merely showcase technical prowess; it serves a higher purpose, drawing the eye into the minute details of the tragedy and forcing a confrontation with the physical reality of the scene.

Symbolism and the Florentine Spirit

Beyond its surface beauty, the painting is steeped in the symbolic language of 17th-century Italy. The interplay of light and shadow—a hallmark of the Baroque era—acts as a metaphor for the struggle between earthly passion and divine justice. The heavy, dark background pushes the figures forward, creating an almost sculptural presence that commands the room. For the collector or interior designer, this piece offers more than just decoration; it provides a focal point of intellectual and emotional depth. The necklace adorning both Salome and the saint serves as a subtle, tragic link between the perpetrator and the victim, binding them together in a permanent, painted tragedy.

For those seeking to adorn a space with art that inspires conversation and reflection, a high-quality reproduction of this work brings a sense of historical grandeur and sophisticated drama. Whether placed in a formal study or a curated gallery wall, the painting’s ability to evoke empathy and awe makes it an incomparable addition to any collection. It is a testament to Dolci's enduring legacy—a painter who could capture the most violent of human acts and transform them into a silent, beautiful prayer of contemplation.


Over dit kunstwerk

  • Titel: Salome with the Head of St John the Baptist
  • Kunstenaar: Carlo Dolci
  • Jaar: 1665
  • Oorspronkelijke afmetingen: 122.0 x 96.0 cm
  • Formaat: Portrait
  • Auteursrechtelijke status: Publiek domein
  • Te zien op: De Koninklijke Collectie
  • Techniek: Oil On Canvas
  • Type medium: WallArt
  • Context corpus: intimate religious portraiture, florentine baroque tradition

Belangrijkste kenmerken

  • Artist: Carlo Dolci
  • Dimensions: 122 x 96 cm
  • Location: Royal Collection, Windsor Castle
  • Artistic style: Florentine School
  • Movement: Baroque
  • Notable elements or techniques: Rich colors and delicate brushstrokes
  • Title: Salome with the Head of St John the Baptist

Vragen & Antwoorden

Is "Salome with the Head of St John the Baptist" typerend voor wat Carlo Dolci gewoonlijk creëerde?

Onder de vastgelegde thema's van Carlo Dolci - florentine baroque tradition, religious devotion and piety, biblical narrative of salome, meticulous detail and realism, intimate religious portraiture - brengt "Salome with the Head of St John the Baptist" een eigen focus op salome, st john baptist, biblical scene, portrait, religious art, baroque, head on platter.

Aan welke kunstenaar wordt "Salome with the Head of St John the Baptist" toegeschreven?

"Salome with the Head of St John the Baptist" wordt toegeschreven aan Carlo Dolci.

Op welke leeftijd maakte Carlo Dolci "Salome with the Head of St John the Baptist"?

Carlo Dolci was 49 jaar oud bij het creëren van "Salome with the Head of St John the Baptist" in 1665. De leeftijd is berekend op basis van het geboortejaar van de kunstenaar, 1616.

Wat is de creatiedatum van "Salome with the Head of St John the Baptist" door Carlo Dolci?

"Salome with the Head of St John the Baptist" door Carlo Dolci werd gemaakt in 1665.

Wat zijn de afmetingen van het originele "Salome with the Head of St John the Baptist"?

De vastgestelde afmetingen van "Salome with the Head of St John the Baptist" door Carlo Dolci zijn 122 x 96 cm. Reproducties kunnen in andere formaten worden besteld met behoud van dezelfde verhoudingen.

Wat is de aanbevolen afmeting voor de print van "Salome with the Head of St John the Baptist" door Carlo Dolci?

Voor "Salome with the Head of St John the Baptist" wordt een afdrukformaat van Large aanbevolen. Andere formaten zijn beschikbaar met dezelfde verhoudingen.

Waarvan is "Salome with the Head of St John the Baptist" gemaakt?

Carlo Dolci gebruikte de Oil On Canvas-techniek voor "Salome with the Head of St John the Baptist". De techniek bepaalt de materiële aard van het originele werk.

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