Old Arrow MakerEdmonia Lewis · 1872

  • MalingstypeMarble
  • MaterialtypeSculpture
  • KunstretningNeoclassicism
  • Dato for opprettelse1872
  • Kunstperiode19th Century
  • MuseumSmithsonian American Art Museum

Edmonia Lewis (1844 – 1907)

Edmonia Lewis (1844-1907): Pionerende afroamerikansk og urfolksskulptør hyllet for nyklassisistiske verk som utforsker svart historie, urfolkskultur og abolisjonisme.

Smithsonian American Art Museum (Washington, D.C., USA)

Utforsk Amerikas kunsthistorie på Smithsonian American Art Museum! Ikkje gå glipp av ikoniske verk, mangfoldige tradisjonar og fascinerande utstillingar i Washington D.C.

A Moment Frozen in Marble

The white marble holds a quiet tension, as if the air around these two figures is thick with concentration. An elder man kneels upon a circular base, his hands occupied with the delicate task of shaping an arrow. Beside him, a younger person watches closely, eyes fixed on the movement of the craftsman. There is a shared focus here, a stillness that suggests the world outside this small circle has ceased to exist. The smooth, polished surfaces of the stone catch the light, tracing the curves of the man's anatomy and the soft folds of the woman's garments. Every line carved into the stone speaks of a singular purpose.

The texture of the sculpture shifts between the sleekness of skin and the more rugged details found in the clothing and the base. Fine lines define individual strands of hair, while the weight of the marble gives the figures a sense of permanence. In this frozen second, the act of creation is all that matters. The arrow being fashioned serves as a linear anchor within the organic shapes of the human forms.

Echoes of Legend and Identity

This scene draws its breath from the verses of The Song of Hiawatha, bringing a literary moment into the physical realm. The figures embody a connection to ancestral traditions, seen in the subtle details of their attire, such as the Anishinaabe deer-hide moccasins and vests. A Dakota bear-claw necklace rests against the stone, adding a layer of specific cultural detail to the neoclassical forms. While the style follows the smooth, idealized traditions of neoclassicism, the subject matter remains deeply rooted in Indigenous storytelling.

The interaction between the elder and the youth carries an emotional weight that transcends the coldness of the medium. There is a sense of passing knowledge, a silent dialogue between generations through the medium of craft. The way the younger figure leans toward the maker suggests curiosity or perhaps a quiet reverence for the skill being demonstrated. Through this work, the struggle for identity and the preservation of tradition are rendered in stone, making the ephemeral act of teaching feel enduring.


Om dette kunstverket

  • Tittel: Old Arrow Maker
  • Kunstner: Edmonia Lewis
  • År: 1872
  • Format: Portrait
  • Opphavsrettslig status: Fritatt for opphavsrett
  • Utstillingssted: Smithsonian American Art Museum
  • Medium: Marble
  • Periode: 19th Century
  • Mediumstype: Sculpture
  • Kontekst for korpus: indigenous culture themes, neoclassical sculpture

Kort om verket

  • Year: 1872
  • Artist: Edmonia Lewis
  • Subject or theme: Cultural interaction and craftsmanship
  • Location: Smithsonian American Art Museum, Washington, D.C.
  • Notable elements or techniques: Polished marble, detailed carving
  • Title: Old Arrow Maker

Spørsmål og svar

Hvor plasserer "Old Arrow Maker" seg blant Edmonia Lewis sine gjentakende motiver?

Blant Edmonia Lewis sine dokumenterte temaer – neoclassical sculpture, longfellow's hiawatha poem, indigenous culture themes, black history themes, abolitionist movement influence, identity and heritage – retter "Old Arrow Maker" sitt eget fokus mot man, woman, marble sculpture, arrow, white marble, carved base.

Hva er reproduksjonsrettighetene til "Old Arrow Maker" hos Smithsonian American Art Museum?

Opphavsretten til "Old Arrow Maker" av Edmonia Lewis er klar: verket er fritt tilgjengelig – opphavsretten har utløpt. At det befinner seg hos Smithsonian American Art Museum, endrer ikke denne statusen.

Hvilket rom i hjemmet passer en reproduksjon av "Old Arrow Maker" godt inn i?

En reproduksjon av "Old Arrow Maker" passer godt i et Living Room.

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