UntitledKim Whan-Ki · 1958
Abstract Art
1958
Modern
42.0 x 28.0 cm
Ewha Womans University Museum
Kim Whan-Ki (1913 – 1974)
A pioneer of Korean abstract art, Kim Whanki masterfully blended Eastern spirituality with Western formal rigor in iconic works like Work 20-V-74 to create a meditative realm that invites you to discover his cosmic vision.
Ewha Womans University Museum (Seoul, South Korea)
Discover Korean heritage at Ewha Womans University Museum in Seoul! Explore ancient artifacts, Buddhist art, folk traditions & National Treasures. A leading cultural hub blending history and modern art.
Kim Whanki, the pioneer of Korean abstract art, expressed a Korean sentiment and sense of beauty through understated formative language by choosing natural and traditional subjects such as mountains, rivers, the moon, cranes, Japanese apricots, and moon jars. Untitled, a work belonging to the period when he studied in Paris, concisely expresses the shapes of the round moon, mountains, and birds flying above them as simple stylized lines and shapes, thereby displaying abstractness.
Om dette kunstverket
- Tittel: Untitled
- Kunstner: Kim Whan-Ki
- År: 1958
- Opprinnelige mål: 42.0 x 28.0 cm
- Format: Portrait
- Opphavsrettslig status: Opphavsrettslig beskyttet
- Hvor det kan sees: Ewha Womans University Museum
- Bevegelse: Abstract Art
- Kreativ periode: Paris Period
- Sammenheng for korpus: parisian artistic influences, early abstract exploration
Kort om verket
- Notable elements or techniques: Stylized lines and simple shapes
- Title: Untitled
- Subject or theme: Moon, mountains, and birds
- Dimensions: 42 x 28 cm
Spørsmål og svar
Hvor intense er fargene i "Untitled" av Kim Whan-Ki?
Fargene i "Untitled" av Kim Whan-Ki har en Balanced intensitet.
Hvilken bruk og hvilket rom anbefales for "Untitled" av Kim Whan-Ki?
"Untitled" av Kim Whan-Ki anbefales til Theme, ideelt sett i en Studio Apartment. Bruksområde og rom gir veiledning for hvor en reproduksjon passer inn.
I hvilket år ble "Untitled" av Kim Whan-Ki skapt?
"Untitled" dateres til 1958. Datoen plasserer verket innenfor Kim Whan-Ki sin karriere og sin epoke.