Portrait of a Man - Front

  • Technika malarskaOil On Panel
  • Nurt artystycznyRenaissance
  • Data powstania1502
  • Epoka artystycznaRenaissance
  • Wymiary18.0 x 23.0 cm
  • MuzeumMuseo Poldi Pezzoli

Andrea Previtali (1480 – 1528)

Discover Andrea Previtali (1480-1528), a Bergamo Renaissance painter known for rustic scenes & religious works. Explore his 'Annunciation' and unique style.

Museo Poldi Pezzoli (Mediolan, Włochy)

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This impressive portrait has been attributed to the early career of Andrea Previtali, a painter from the Bergamo area called Cordeliaghi because he was the son of a dealer in threads (corde) and needles (aghi). The artist trained in Giovanni Bellini’s Venetian workshop, at a time when the influence of Antonello da Messina was still dominant, as clear in this painting. On the back a Latin inscription (“This is the beauty, this the form that remains. This law is the same for all.”) and a skull, warn against the vanity of earthly beauty; almost a counterpoint to the intense vitality of the gaze of the man on the front. The panel, datable to about 1502, was originally set in a frame which probably rested on a rotating support, as indicated by the fact that the skull is upside down in relation to the portrait.

O tym dziele

  • Tytuł: Portrait of a Man - Front
  • Artysta: Andrea Previtali
  • Rok: 1502
  • Wymiary oryginału: 18.0 x 23.0 cm
  • Format: Portrait
  • Status praw autorskich: Domena publiczna
  • Gdzie można je zobaczyć: Museo Poldi Pezzoli
  • Ruch: Renaissance
  • Okres twórczości: Early Period
  • Kontekst korpusu tekstowego: early career development, vanitas and earthly vanity

Kluczowe informacje

  • Year: 1502
  • Influences:
    • Giovanni Bellini
    • Antonello da Messina
  • Movement: Renaissance
  • Dimensions: 18 x 23 cm
  • Subject or theme: Portrait and Vanitas
  • Title: Portrait of a Man - Front

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