The painting Negro Attacked by a Jaguar by Henri Julien Félix Rousseau (Le Douanier) is a vibrant and captivating work of art that showcases the artist's unique style and technique. Created in 1910, this oil on canvas painting measures 162 x 116 cm and is a prime example of Naive Art, also known as Primitivism.

The Naive Art Movement

Naive Art is characterized by its simplicity, directness, and often childlike quality. This style of art is often associated with self-taught artists who lack formal education and training in the arts. Henri Julien Félix Rousseau (Le Douanier) was a prominent figure in this movement, and his paintings are highly regarded for their charm and innocence. For more information on the Naive Art Movement, visit The Naïve Art Movement page on Mus3ums. The painting Negro Attacked by a Jaguar depicts a dramatic scene of a man being attacked by a jaguar in a jungle setting. The use of bold colors and simplistic forms creates a sense of tension and energy, drawing the viewer into the scene. The painting is also notable for its use of symbolism, with the jaguar representing the power of nature and the man representing human vulnerability.

• The painting measures 162 x 116 cm and is made of oil on canvas.
• It is a prime example of Naive Art, characterized by its simplicity and directness.
• The painting is highly regarded for its charm and innocence, and is considered one of the artist's most important works.

Other notable works by Henri Julien Félix Rousseau (Le Douanier) include The Dream, which is housed at the Museum of Modern Art (New York, United States), and Exotic Landscape, which can be found on Mus3ums. For more information on these paintings, visit Exotic Landscape and The Dream pages on Mus3ums.
The painting Negro Attacked by a Jaguar is a must-see for anyone interested in Naive Art and the works of Henri Julien Félix Rousseau (Le Douanier). Its unique style and technique make it a standout piece in the artist's oeuvre, and its use of symbolism adds depth and complexity to the work.