Saint MarkВалентин де Булоњ · 1624

  • Umetnički pravacBaroque
  • Datum nastanka1624
  • Dimenzije120.0 x 146.0 cm
Saint Mark is shown with his emblem, a lion, as though interrupted in his dim study by the viewer, to whom he makes a beseeching gesture. This model, too, reappears in other paintings by the artist (including Last Supper, in this gallery). Together with Saint Matthew, on view here, and two companion pictures of the other evangelists, this painting—cleaned for the exhibition—was chosen by Louis XIV to decorate his chamber at Versailles, which it still does; it has been lent exceptionally.

Валентин де Булоњ (1591 – 1632)

Istražite tenebristička dela Valentina de Bulona! Francuski umetnik poznat po dramatičnim kontrastima svetla i tame, karavadžijevom uticaju i scenama proricanja sudbine.

O ovom umetničkom delu

  • Naslov: Saint Mark
  • Umetnik: Валентин де Булоњ
  • Godina: 1624
  • Prvobitne dimenzije: 120.0 x 146.0 cm
  • Format: Landscape
  • Status autorskih prava: Javno dobro
  • Kreativni period: Mature Period
  • Kontekst korpusa: religious iconography", evangelist narrative
  • Paleta boja: Earthy
  • Ključne reči: "oil paint texture", "dark and light art", "european art history"

Često postavljana pitanja

Koja boja dominira kompozicijom dela „Saint Mark”, autor Валентин де Булоњ?

Boja koja najviše izdvaja se u delu "Saint Mark" je Walnut (#975d19). Dominantna boja je korisna pri uklapanju umetničkog dela u enterijer.

Gde se "Saint Mark" nalazi među uobičajenim motivima umetnika Валентин де Булоњ?

Učestale teme umetnika Валентин де Булоњ obuhvataju caravaggio's tenebrism, religious iconography", louis xiv's patronage, evangelist narrative, artist's signature style, baroque drama & emotion, symbolic lion imagery, versailles chamber décor; delo "Saint Mark" fokusira se na saint mark, apostle, lion symbol, baroque art, religious figure, study scene, chiaroscuro, renaissance.

Ko je autor dela "Saint Mark" i iz koje godine je?

Валентин де Булоњ je napravio/la "Saint Mark" u 1624. godini.

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