Composition李遇露 · 1978
Abstract Expressionism
1978
65.0 x 52.0 cm
李遇鲁美术馆
李遇露（1904 – 1989）
探索李昂五（Yi Eungro）的创新艺术：这位韩裔法国画家融合了东西方风格，以抽象水墨拼贴画和群像画闻名。
李遇鲁美术馆 (大邱, 韩国)
在这座大邱博物馆探索韩国大师 Lee Ungno 的生平与艺术！发现 500 多件作品，包括其《抽象文字》系列和监狱绘画。通过展览体验文化洞察，感受东西方艺术影响的独特融合。
In the 1970s and ‘80s, Lee Ungno produced a lot of print works that were connected with his Abstract Letter or People series in content, while showing diverse textural expressions. This work among those stands out with its round shape full of different angular figures, calling up Mesopotamian cuneiform. They are mostly geometric forms but if we look at them closely, we see they are also human or bird-like figures: the repetition of such forms conjures up prehistoric rock engravings while the repetition of lines reminds us of the hexagrams of the I Ching. This work, whose canvas is constructed with forms seemingly developed from multiple origins, employs Western print making technique; but on the other hand, it is linked to traditional seal carving. The image of this woodcut was used for his solo exhibition poster at the Galerie Koryo in Paris in 1978.
关于此作品
- 作品名称: Composition
- 艺术家: 李遇露
- 年份: 1978
- 原尺寸: 65.0 x 52.0 cm
- 规格: Portrait
- 版权状态: 版权保护中
- 所在地: 李遇鲁美术馆
- 动态感: Abstract Expressionism
- 创作时期: Mature Period
- 关键词: eastern art forms, monochrome artwork, cuneiform art style
问答详情
"Composition" 的主题与 李遇露 常有的创作主题有何关联？
在李遇露已记录的主题——mesopotamian & i ching echoes, korean inkwash tradition, western printmaking techniques, seal carving connection, abstract thought exploration, early abstract korean art, parisian exhibition piece——之中，"Composition" 则将焦点转向了abstract geometry, geometric forms, prehistoric symbols, i ching patterns, monochrome design, korean art history, circular composition。
"Composition" 的色彩之间是如何相互关联的？
李遇露 的《Composition》 的色彩呈现出一种 Balanced Harmony 的和谐感。这种和谐感描述了色彩之间的相互关系。
“Composition”的主题是什么？
李遇露 的《Composition》 描绘了：abstract geometry, geometric forms, prehistoric symbols, i ching patterns, monochrome design, korean art history, circular composition。