Composition李遇露 · 1978
Abstract Expressionism
1978
65.0 x 52.0 cm
李遇鲁美术馆
李遇露（1904 – 1989）
探索李昂五（Yi Eungro）的创新艺术：这位韩裔法国画家融合了东西方风格，以抽象水墨拼贴画和群像画闻名。
李遇鲁美术馆 (大邱, 韩国)
在这座大邱博物馆探索韩国大师 Lee Ungno 的生平与艺术！发现 500 多件作品，包括其《抽象文字》系列和监狱绘画。通过展览体验文化洞察，感受东西方艺术影响的独特融合。
In the 1970s and ‘80s, Lee Ungno produced a lot of print works that were connected with his Abstract Letter or People series in content, while showing diverse textural expressions. This work among those stands out with its round shape full of different angular figures, calling up Mesopotamian cuneiform. They are mostly geometric forms but if we look at them closely, we see they are also human or bird-like figures: the repetition of such forms conjures up prehistoric rock engravings while the repetition of lines reminds us of the hexagrams of the I Ching. This work, whose canvas is constructed with forms seemingly developed from multiple origins, employs Western print making technique; but on the other hand, it is linked to traditional seal carving. The image of this woodcut was used for his solo exhibition poster at the Galerie Koryo in Paris in 1978.
关于此作品
- 作品名称: Composition
- 艺术家: 李遇露
- 年份: 1978
- 原尺寸: 65.0 x 52.0 cm
- 规格: Portrait
- 版权状态: 版权保护中
- 所在地: 李遇鲁美术馆
- 动态感: Abstract Expressionism
- 主色调: Rosy Brown
- 关键词: i ching inspired art, art history korea, black ink painting
问答详情
李遇露 的《Composition》 的亮度是多少？
李遇露 的《Composition》 的亮度为 Luminous。亮度描述了色彩呈现出的反射光量。
在“Composition”中，哪种颜色最为醒目？
Rosy Brown (#9e9e9c) 是 李遇露 的《Composition》 的主导色。
李遇露 的《Composition》 的色调是明亮还是深沉？
李遇露 的《Composition》 的亮度记录为 brilliant，亮度值为 Luminous。