CranesSuzuki Kiitsu · 1820

  • Oprettelsesdato1820
  • MuseumHarvard Art Museums
The sublime simplicity of the supple necks and luxuriant feathers of this group of cranes is complemented by the tangle of angular legs at ground level. A patch of water bridges the gap between the two screens, compelling unification in the mind’s eye. As the birds call to and gaze at each other in the shallow pictorial space, their body language echoes the distinctive coiled ripples inked on the azurite water. Although iconic in its own right, Kiitsu’s painting also self-consciously extends an emblem of the School of Kōrin by creatively reprising a crane painting by his master, Sakai Hōitsu (1761–1828). Hōitsu’s painting was itself a reworking of a magnificent pair of crane screens by Ogata Kōrin (1658–1716).

Suzuki Kiitsu (1796 – 1858)

Suzuki Kiitsu (1796-1858) was a prominent Rinpa painter known for his stunning folding screens & nature scenes. Reinterpreted works showcase his skill & influence.

Harvard Art Museums (Cambridge, USA)

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Om dette kunstværk

  • Titel: Cranes
  • Kunstner: Suzuki Kiitsu
  • År: 1820
  • Format: Panoramic
  • Ophavsretlig status: Public domain
  • Udstillet hos: Harvard Art Museums
  • Farvetone: Ochre to Sepia
  • Farveintensitet: Vivid

Spørgsmål og svar

Er "Cranes" af Suzuki Kiitsu i portræt-, landskabs- eller kvadratformat?

Formatet på "Cranes" er Panoramic. Dette er nyttigt, når du planlægger, hvor en reproduktion skal placeres.

Hvorfor er ophavsretsstatus for "Cranes" som den er?

"Cranes" af Suzuki Kiitsu er i det offentlige domæne – ophavsretten er udløbet. Ophavsretten beregnes ud fra kunstnerens dødsår, og Suzuki Kiitsu døde i 1858.

Hvor mættede og intense er farverne i "Cranes" af Suzuki Kiitsu?

Farverne i "Cranes" af Suzuki Kiitsu fremviser en Clear Color Presence mætning med en Vivid intensitet.

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