CranesSuzuki Kiitsu · 1820
1820
哈佛艺术博物馆
The sublime simplicity of the supple necks and luxuriant feathers of this group of cranes is complemented by the tangle of angular legs at ground level. A patch of water bridges the gap between the two screens, compelling unification in the mind’s eye. As the birds call to and gaze at each other in the shallow pictorial space, their body language echoes the distinctive coiled ripples inked on the azurite water. Although iconic in its own right, Kiitsu’s painting also self-consciously extends an emblem of the School of Kōrin by creatively reprising a crane painting by his master, Sakai Hōitsu (1761–1828). Hōitsu’s painting was itself a reworking of a magnificent pair of crane screens by Ogata Kōrin (1658–1716).
Suzuki Kiitsu（1796 – 1858）
Suzuki Kiitsu (1796-1858) was a prominent Rinpa painter known for his stunning folding screens & nature scenes. Reinterpreted works showcase his skill & influence.
哈佛艺术博物馆 (剑桥, 美国)
探索世界一流的艺术！哈佛艺术博物馆拥有从文艺复兴绘画到亚洲和现代作品的杰作，坐落在雷诺·皮亚诺令人惊叹的建筑中——剑桥必游之地。
关于此作品
- 作品名称: Cranes
- 艺术家: Suzuki Kiitsu
- 年份: 1820
- 规格: Panoramic
- 版权状态: 公有领域
- 所在地: 哈佛艺术博物馆
- 色彩色调: Ochre to Sepia
- 色彩饱和度: Vivid
问答详情
Suzuki Kiitsu 的《Cranes》 是人像、风景还是方形构图？
"Cranes" 的画幅格式为 Panoramic。这对于规划复制品的摆放位置非常有用。
为什么“Cranes”目前的版权状态是这样的？
Suzuki Kiitsu 的作品《Cranes》已进入 属于公有领域 —— 其版权已过期。版权期限自艺术家逝世之日起计算，Suzuki Kiitsu 于 1858 年逝世。
Suzuki Kiitsu 的《Cranes》 的色彩饱和度与强度如何？
Suzuki Kiitsu 的《Cranes》 的色彩呈现出 Clear Color Presence 的饱和度与 Vivid 的强度。