Untitled #141Cindy Sherman · 1985

  • Painting mediumBlack and White Photography
  • Medium typePhoto
  • Art movementContemporary Art
  • Creation date1985
  • Art periodContemporary
  • Dimensions184.0 x 125.0 cm
  • MuseumThe Feminist Institute

Cindy Sherman (1954 –)

Explore the transformative self-portraits of Cindy Sherman, a pivotal American photographer. Deconstructing identity & gender through iconic series like 'Untitled Film Stills,' she challenges representation in art and media.

The Feminist Institute (New York City, United States of America)

Discover The Feminist Institute in NYC: a vital archive preserving feminist art & history through digitization and exhibitions. Explore works by Judy Chicago, Miriam Schapiro, letters from Gloria Steinem & Sylvia Sleigh, and champion gender equity.

The Composition of a Character

A black and white photograph from 1985 presents a single figure positioned within an indoor setting. The man in the image wears a checkered jacket and a dark patch covering his left eye, reminiscent of pirate attire. His face is visible, though the eye patch obscures one side of his gaze. The lighting creates shadows across the textures of the fabric and the skin. In the background, two chairs are placed within the room; one sits to the left near the man, while another is situated further back on the right. A handbag rests on the floor to the left of the subject, and a tie hangs nearby. The arrangement of these objects—the chair, the bag, and the hanging garment—suggests a space prepared for a performance or a costume-related event.

Technique and Contextual Framework

The work utilizes monochrome photography to emphasize contrast and form. By removing color, the focus shifts to the patterns of the checkered jacket and the starkness of the eye patch against the skin. This piece belongs to a period in 1985 when the artist explored themes related to fairy tales and grotesque narratives, often utilizing prosthetics and theatrical elements to construct personas. The photograph functions as a study of a constructed identity, where the subject adopts a specific role through clothing and accessories. The presence of everyday items like a handbag and a tie alongside the costume creates a tension between the mundane environment and the theatrical character. This method of using the self as a model allows for an examination of how much of a persona is built through external, superficial cues.


About this artwork

  • Title: Untitled #141
  • Artist: Cindy Sherman
  • Year: 1985
  • Original dimensions: 184.0 x 125.0 cm
  • Format: Portrait
  • Copyright status: Under copyright
  • Where to see it: The Feminist Institute
  • Movement: Contemporary Art
  • Period: Contemporary
  • Corpus context: gender role performance, deconstructing identity

Quick Facts

  • Movement: Contemporary Art
  • Title: Untitled #141
  • Medium: Black and white photograph
  • Artistic style: Deconstruction of identity
  • Subject or theme: Fairy Tales, grotesque narratives

Questions & Answers

Is "Untitled #141" by Cindy Sherman a portrait, landscape or square composition?

"Untitled #141" by Cindy Sherman has a portrait format. The format describes the proportions of the composition.

What kind of piece is "Untitled #141"?

"Untitled #141" is a photo piece.

Where does "Untitled #141" fall in Cindy Sherman's career?

"Untitled #141" belongs to the Mature Period of Cindy Sherman's career. This classification relates the work to the artist's development.

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