Untitled #141Сидни Шерман · 1985
Black and White Photography
Photo
Contemporary Art
1985
Contemporary
184.0 x 125.0 cm
The Feminist Institute
Сидни Шерман (1954 –)
Цинди Шерман – американская фотографша, известная своими провокационными автопортретами, исследующими гендерные стереотипы и природу идентичности в медиапространстве.
The Feminist Institute (Нью-Йорк, Соединенные Штаты Америки)
Откройте Институт феминизма в Нью-Йорке: важный архив феминистского искусства и истории. Изучите работы Джуди Чикаго, Мириам Шапиро, письма Глории Стайнем и Сильвии Слей, поддерживая равенство полов.
The Composition of a Character
A black and white photograph from 1985 presents a single figure positioned within an indoor setting. The man in the image wears a checkered jacket and a dark patch covering his left eye, reminiscent of pirate attire. His face is visible, though the eye patch obscures one side of his gaze. The lighting creates shadows across the textures of the fabric and the skin. In the background, two chairs are placed within the room; one sits to the left near the man, while another is situated further back on the right. A handbag rests on the floor to the left of the subject, and a tie hangs nearby. The arrangement of these objects—the chair, the bag, and the hanging garment—suggests a space prepared for a performance or a costume-related event.
Technique and Contextual Framework
The work utilizes monochrome photography to emphasize contrast and form. By removing color, the focus shifts to the patterns of the checkered jacket and the starkness of the eye patch against the skin. This piece belongs to a period in 1985 when the artist explored themes related to fairy tales and grotesque narratives, often utilizing prosthetics and theatrical elements to construct personas. The photograph functions as a study of a constructed identity, where the subject adopts a specific role through clothing and accessories. The presence of everyday items like a handbag and a tie alongside the costume creates a tension between the mundane environment and the theatrical character. This method of using the self as a model allows for an examination of how much of a persona is built through external, superficial cues.
Об этом произведении
- Название: Untitled #141
- Автор: Сидни Шерман
- Год создания: 1985
- Размер оригинала: 184.0 x 125.0 cm
- Формат: Portrait
- Статус авторского права: Под защитой авторского права
- Где посмотреть: The Feminist Institute
- Техника исполнения: Black and White Photography
- Период: Contemporary
- Период творчества: Mature Period
Краткая справка
- Dimensions: 184 x 125 cm
- Subject or theme: Fairy Tales, grotesque narratives
- Location: The Feminist Institute, New York City
- Medium: Black and white photograph
- Title: Untitled #141
Вопросы и ответы
Какие сюжеты представлены в «Untitled #141», Сидни Шерман?
На полотне «Untitled #141», Сидни Шерман изображены: portrait, costume, identity, black and white, performance, self-portrait, theatrical.
Какую эмоцию передает работа "Untitled #141", относящаяся к направлению Contemporary Art?
В рамках направления Contemporary Art произведение «Untitled #141» запечатлено в Mysterious тональности.
Для каких целей рекомендуется использовать «Untitled #141», Сидни Шерман?
Рекомендуемый способ использования репродукции «Untitled #141» — это Conversation.