ReasonKader Attia · 2015

  • Creation date2015
  • MuseumEVA International
Kader Attia (b. 1970, France) lives and works in Berlin. Attia grew up in both Algeria and in the suburbs of Paris. This experience of being part of two cultures is used as a starting point from which to develop a dynamic practice that reflects on the aesthetics and ethics of different cultures. Attia’s work explores the impact of Western cultural and political capitalism on the Middle East and North Africa, and considers how this residual strain of struggle and resistance to colonisation affects Arab youth, particularly those living in the banlieues (suburbs) of France. For his work, Reason’s Oxymoron (2015), an eighteen-channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots. Each of the volumes is edited under different themes, such as ‘genocide’, ‘totem and fetish’, ‘reason and politics’, or ‘trance’. Taken either individually or as a whole, they offer commentary on psychiatric pathology as perceived in traditional non-Western cultures, on the one hand, and in modern Western societies, on the other. In its mix of rational explanations and irrational representations of what the West calls psychiatry, the work is particularly concerned with the question of the irreparable, inherent in the idea of ‘repair’, and calls into question the ambivalence of the psyche of modern Western societies towards traditional non-Western societies. The work evidences the legacy of modernity as a Western-inflicted – and imported – notion, in which frictions amid traditional and occidental societies occur. Attia questions the slippery border between rationality and irrationality, between science and metaphysics, between belief and mistrust. The conflicting perceptions of (in)sanity highlight the difficulties in healing psychological injuries. There is no definitive solution to soothe the burden of pain, and especially wounds inferred by historical events like colonization.

Kader Attia (1970 –)

Kader Attia: Algerian-French artist renowned for sculptures & installations exploring postcolonialism, repair, and cultural identity. Winner of the Marcel Duchamp Prize.

EVA International (Limerick City, Republic of Ireland)

As Ireland's premier biennial of contemporary art, EVA International transforms Limerick City with groundbreaking exhibitions across historic landmarks like King John's Castle, inviting you to explore global creativity.

About this artwork

  • Title: Reason
  • Artist: Kader Attia
  • Year: 2015
  • Format: Landscape
  • Copyright status: Under copyright
  • Where to see it: EVA International
  • Main color: Espresso
  • Color intensity: Monochromatic

Questions & Answers

In what year was "Reason" by Kader Attia created?

"Reason" by Kader Attia was created in 2015.

How does "Reason" balance light and dark?

"Reason" is shadow overall, and its luminance is soft shadow.

Which artist is "Reason" attributed to?

The artist behind "Reason" is Kader Attia. The work is catalogued under Kader Attia's name.

What was Kader Attia's age when "Reason" was created?

Kader Attia was 45 years old when creating "Reason" in 2015. The age is computed from the artist's birth year, 1970.

What is the luminance of "Reason" by Kader Attia?

The colors of "Reason" show a soft shadow luminance.

Are the colors of "Reason" by Kader Attia vivid or muted?

"Reason" by Kader Attia is recorded with a muted saturation and a monochromatic intensity.

What is the format of "Reason"?

"Reason" by Kader Attia is a landscape composition. The proportions are worth checking before choosing a print size.

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