ReasonKader Attia · 2015

  • 创作日期2015
  • 博物馆EVA International
Kader Attia (b. 1970, France) lives and works in Berlin. Attia grew up in both Algeria and in the suburbs of Paris. This experience of being part of two cultures is used as a starting point from which to develop a dynamic practice that reflects on the aesthetics and ethics of different cultures. Attia’s work explores the impact of Western cultural and political capitalism on the Middle East and North Africa, and considers how this residual strain of struggle and resistance to colonisation affects Arab youth, particularly those living in the banlieues (suburbs) of France. For his work, Reason’s Oxymoron (2015), an eighteen-channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots. Each of the volumes is edited under different themes, such as ‘genocide’, ‘totem and fetish’, ‘reason and politics’, or ‘trance’. Taken either individually or as a whole, they offer commentary on psychiatric pathology as perceived in traditional non-Western cultures, on the one hand, and in modern Western societies, on the other. In its mix of rational explanations and irrational representations of what the West calls psychiatry, the work is particularly concerned with the question of the irreparable, inherent in the idea of ‘repair’, and calls into question the ambivalence of the psyche of modern Western societies towards traditional non-Western societies. The work evidences the legacy of modernity as a Western-inflicted – and imported – notion, in which frictions amid traditional and occidental societies occur. Attia questions the slippery border between rationality and irrationality, between science and metaphysics, between belief and mistrust. The conflicting perceptions of (in)sanity highlight the difficulties in healing psychological injuries. There is no definitive solution to soothe the burden of pain, and especially wounds inferred by historical events like colonization.

Kader Attia(1970 –)

Kader Attia: Algerian-French artist renowned for sculptures & installations exploring postcolonialism, repair, and cultural identity. Winner of the Marcel Duchamp Prize.

EVA International (利默里克, 爱尔兰共和国)

作为爱尔兰首屈一指的当代艺术双年展,EVA International 通过在金约翰城堡等历史地标举办开创性展览,重塑利默里克市。诚邀您前来探索全球创意。

关于此作品

  • 作品名称: Reason
  • 艺术家: Kader Attia
  • 年份: 2015
  • 规格: Landscape
  • 版权状态: 版权保护中
  • 所在地: EVA International
  • 色彩色调: Amber to Saffron
  • 色彩饱和度: Monochromatic

问答详情

馆藏于 EVA International 的 Kader Attia 的《Reason》 是否可以进行合法复制?

《Reason》的原作收藏于EVA International,该作品属于仍受版权保护。

"Reason" 的色彩之间是如何相互关联的?

"Reason" 的色彩和谐度评分为 Strong Color Unity。

"Reason" 的主导色调是什么?

Kader Attia 的《Reason》 的主导色调为 Amber to Saffron,这一色调构成了整个色板的基调。

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