Design for
Acrylic On Canvas
WallArt
Pre-Raphaelite Brotherhood
1872
William Morris Gallery
エドワード・バーン=ジョーンズ(1833 – 1898)
Birmingham United Kingdom Edward Coley Burne-Jones Sir Edward Coley Burne-Jones, 1st Baronet, Burne-Jones, Edward Burne-Jones 神秘的で美しい中世風の絵画とデザインで知られる、エドワード・バーン=ジョーンズ。プレ・ラファエライト運動を代表し、ウィリアム・モリスとの協業による装飾美術の革新も果たしました。『妖艶なマールリン』など、幻想的な世界観が魅力です。 Pre-Raphaelite, Aesthetic Victorian artists Rossetti 1833 1898 Edward Coley Burne-Jones British The Beguiling of Merlin Impressionism 2 Edward B
William Morris Gallery(ウォルサムストー, イギリス)
ウィリアム・モリスの世界をウォルサムストー・ギャラリーで発見!見事なテキスタイルやデザイン、彼の社会主義の遺産を探索しましょう。入場無料 — アーツ・アンド・クラフツの美を讃える展示です。
A Window Into Myth and Craftsmanship: Burne-Jones's 'Flight Into Egypt'
Edward Coley Burne-Jones’s “Flight Into Egypt,” conceived in 1872 as one of four designs for stained glass windows commissioned by Morris & Co. for Castle Howard, stands as a testament to the Pre-Raphaelite Brotherhood’s fascination with medieval storytelling and their commitment to artistic craftsmanship. More than just a depiction of biblical narrative—the perilous journey of Mary and Joseph fleeing Herod’s persecution—it embodies a profound exploration of faith, vulnerability, and the enduring power of visual symbolism. The window's genesis lies in the burgeoning Victorian interest in reviving classical ideals alongside a yearning for spiritual depth, mirroring the broader ethos of the Arts and Crafts movement championed by Morris himself.- Style & Technique: Burne-Jones departs from his typically opulent landscapes to adopt a strikingly linear style, prioritizing clarity and expressive gesture over meticulous detail—a deliberate choice reflecting the preliminary sketches he undertook before transferring the design onto glass. This simplified approach contrasts sharply with the richly ornamented frescoes adorning Castle Howard’s chapel, highlighting Morris & Co.’s desire for an aesthetic that resonated with both grandeur and understated elegance.
- Historical Context: The commission itself speaks volumes about the aristocratic patronage of the era and the transformative influence of Morris & Co. on Victorian interiors. George and Rosalind Howard's embrace of Arts and Crafts principles—including the removal of Pellegrini frescoes—demonstrates a conscious rejection of academic conventions in favor of organic forms and vibrant colors, mirroring Burne-Jones’s artistic vision.
- Symbolism: The composition is rife with symbolic references. Mary’s posture conveys unwavering devotion as she cradles her child, symbolizing purity and divine grace. Joseph's steadfast gaze embodies protection and resilience—a visual representation of the biblical narrative's core themes. Furthermore, the donkey itself serves as a humble vehicle for pilgrimage, underscoring the importance of simplicity and humility in spiritual pursuits.
作品詳細
- 作品名: Design for
- 作家: エドワード・バーン=ジョーンズ
- 制作年: 1872
- 技法: Square
- 著作権の状態: パブリックドメイン
- 展示場所: William Morris Gallery
- 技法・素材: Acrylic On Canvas
- 制作時期: Mature Period
- 主要な色: Walnut
- キーワード: arts and crafts movement, stained glass window design, flight into egypt
作品詳細
- Subject or theme: Biblical Narrative (Flight Into Egypt)
- Location: Winchester Cathedral
- Influences: Morris & Co.
- Artist: Edward Coley Burne-Jones
- Artistic style: Linear
- Year: 1872
- Medium: Watercolor
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