Black CrossSamia Halaby · 1969

  • 画材・技法Painting
  • 芸術運動Abstract Art
  • 制作日1969
  • 制作年代Modern
  • サイズ46.0 x 46.0 cm
  • 美術館The Ramzi and Saeda Dalloul Art Foundation

Samia Halaby(1936 –)

A pioneer of abstract painting and computer art, Samia Halaby blends Islamic geometric influences with expressionism in iconic works like Pink Flying Over Pink, inviting you to discover her vibrant visual legacy.

The Ramzi and Saeda Dalloul Art Foundation(ベイルート, レバノン)

レバノンのThe Ramzi Dalloul Art Foundationで、アラブの現代美術を探索しましょう。展覧会やプログラムを通じて、絵画、彫刻、写真などの膨大なコレクションに出会えます。

A Geometric Symphony of Faith and Form

In the vibrant landscape of late twentieth-century abstraction, few works capture the intersection of spiritual iconography and geometric precision as strikingly as Samia Halaby’s Black Cross. Created in 1969, this captivating piece serves as a profound meditation on the power of shape to convey deep-seated cultural and religious meaning. At first glance, the viewer is met with a radiant central cruciform, where a brilliant yellow core radiates outward, bounded by deep, contemplative blues. This interplay of light and shadow does not merely depict a symbol; it breathes life into it, transforming a static icon into a pulsating, energetic entity that seems to vibrate against the canvas.

The composition is a masterclass in balanced tension. Surrounding the central cross, a constellation of orange squares drifts through the space, creating a rhythmic movement that guides the eye across the 46 x 46 cm surface. These geometric elements act as celestial satellites, grounding the ethereal light of the cross within a structured, mathematical reality. The technique reflects a sophisticated understanding of color theory, where the warmth of the orange and yellow provides a striking counterpoint to the cool, stabilizing presence of the blue edges, resulting in a visual harmony that is both intellectually stimulating and aesthetically soothing.

The Intersection of Abstraction and Symbolism

To behold Black Cross is to witness the dialogue between the abstract and the sacred. While the painting avoids the literalist traps of traditional religious art, it utilizes the language of abstraction to evoke the essence of the cross. The use of bold, non-representational shapes allows the viewer to experience the spiritual weight of the symbol without the distraction of figurative detail. This approach aligns with the broader movements of the era, where artists sought to strip away the superficial to reach a more primal, universal truth through color and form.

For the discerning collector or interior designer, this piece offers an unparalleled opportunity to introduce a focal point of profound depth into a contemporary space. The painting’s ability to command attention through its high-contrast palette makes it an ideal centerpiece for modern galleries, minimalist living rooms, or sophisticated executive suites. It is more than a mere decoration; it is a conversation starter that invites contemplation on the nature of belief, the structure of the universe, and the enduring power of geometric beauty. Owning a high-quality reproduction of this work allows one to bring a fragment of 1960s avant-garde history into the modern home, providing an atmosphere of intellectual rigor and soulful elegance.


この作品について

  • 作品名: Black Cross
  • 作家: Samia Halaby
  • 制作年: 1969
  • 原寸サイズ: 46.0 x 46.0 cm
  • 形式: Square
  • 著作権の状態: 著作権保護下
  • 展示場所: The Ramzi and Saeda Dalloul Art Foundation
  • 制作年: Modern
  • 制作時期: Mature Period
  • カラーパレット: Earthy

作品情報

  • Artist: Samia Halaby
  • Dimensions: 46 x 46 cm
  • Title: Black Cross

よくあるご質問

「Black Cross」は、いつ、どのような技法と素材で制作されましたか?

「Black Cross」は、1969年にPaintingで制作されました。

「Black Cross」は、作者の母国に留まっているのでしょうか?

いいえ、作品は国外に保管されています。Samia Halabyの出生国はPalestineであり、「Black Cross」の真作を収蔵している美術館はレバノンにあります。

Samia Halaby作「Black Cross」には何が描かれていますか?

Samia Halaby作「Black Cross」に描かれているテーマには、abstract, cross, geometric, religious symbol, colorful, shapesなどがあります。これらが合わさることで、本作の主題を構成しています。

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