Untitled #141Cindy Sherman · 1985

  • Technika malarskaBlack and White Photography
  • Rodzaj technikiPhoto
  • Nurt artystycznyContemporary Art
  • Data powstania1985
  • Epoka artystycznaContemporary
  • Wymiary184.0 x 125.0 cm
  • MuzeumThe Feminist Institute

Cindy Sherman (1954 –)

Cindy Sherman – amerykańska artystka, znana z dekonstrukcji tożsamości w fotograficznych self-portretach. Jej prace kwestionują stereotypy i rolę kobiet w mediach. #CindySherman #sztuka

The Feminist Institute (Nowy Jork, Stany Zjednoczone Ameryki)

Odkryj The Feminist Institute w NYC: kluczowe archiwum sztuki i historii feministycznej dzięki digitalizacji i wystawom. Poznaj dzieła Judy Chicago, Miriam Schapiro oraz listy Gloria Steinem i Sylvia Sleigh.

The Composition of a Character

A black and white photograph from 1985 presents a single figure positioned within an indoor setting. The man in the image wears a checkered jacket and a dark patch covering his left eye, reminiscent of pirate attire. His face is visible, though the eye patch obscures one side of his gaze. The lighting creates shadows across the textures of the fabric and the skin. In the background, two chairs are placed within the room; one sits to the left near the man, while another is situated further back on the right. A handbag rests on the floor to the left of the subject, and a tie hangs nearby. The arrangement of these objects—the chair, the bag, and the hanging garment—suggests a space prepared for a performance or a costume-related event.

Technique and Contextual Framework

The work utilizes monochrome photography to emphasize contrast and form. By removing color, the focus shifts to the patterns of the checkered jacket and the starkness of the eye patch against the skin. This piece belongs to a period in 1985 when the artist explored themes related to fairy tales and grotesque narratives, often utilizing prosthetics and theatrical elements to construct personas. The photograph functions as a study of a constructed identity, where the subject adopts a specific role through clothing and accessories. The presence of everyday items like a handbag and a tie alongside the costume creates a tension between the mundane environment and the theatrical character. This method of using the self as a model allows for an examination of how much of a persona is built through external, superficial cues.


O tym dziele

  • Tytuł: Untitled #141
  • Artysta: Cindy Sherman
  • Rok: 1985
  • Wymiary oryginału: 184.0 x 125.0 cm
  • Format: Portrait
  • Status praw autorskich: Objęte prawem autorskim
  • Gdzie można je zobaczyć: The Feminist Institute
  • Ruch: Contemporary Art
  • Epoka: Contemporary
  • Kontekst korpusu tekstowego: gender role performance, deconstructing identity

Kluczowe informacje

  • Movement: Contemporary Art
  • Title: Untitled #141
  • Medium: Black and white photograph
  • Artistic style: Deconstruction of identity
  • Subject or theme: Fairy Tales, grotesque narratives

Pytania i odpowiedzi

Czy „Untitled #141” autorstwa Cindy Sherman to portret, pejzaż czy kompozycja kwadratowa?

Dzieło „Untitled #141” autorstwa Cindy Sherman ma format Portrait. Format ten określa proporcje kompozycji.

Jaki to rodzaj dzieła: "Untitled #141"?

"Untitled #141" to dzieło typu Photo.

Do którego okresu twórczości Cindy Sherman należy dzieło "Untitled #141"?

„Untitled #141” należy do Mature Period w twórczości Cindy Sherman. Klasyfikacja ta wiąże dzieło z rozwojem artysty.

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