Untitled #141Sindi Šerman · 1985
Black and White Photography
Photo
Contemporary Art
1985
Contemporary
184.0 x 125.0 cm
The Feminist Institute
Sindi Šerman (1954 –)
Istražite transformativne autoportrete Sindija Šerman, ključne američke fotografkinje. Dekonstruišući identitet i rod kroz kultne serije poput 'Untitled Film Stills', ona izaziva predstavljanje u umetnosti i medijima.
The Feminist Institute (New York City, Sjedinjene Američke Države)
Otkrijte Feminist Institute u NYC: vitalni arhiv koji čuva feminističku umetnost i istoriju kroz digitalizaciju i izložbe. Istražite dela Judy Chicago, Miriam Schapiro, pisma Gloria Steinem i Sylvia Sleigh i podržite rodnu ravnopravnost.
The Composition of a Character
A black and white photograph from 1985 presents a single figure positioned within an indoor setting. The man in the image wears a checkered jacket and a dark patch covering his left eye, reminiscent of pirate attire. His face is visible, though the eye patch obscures one side of his gaze. The lighting creates shadows across the textures of the fabric and the skin. In the background, two chairs are placed within the room; one sits to the left near the man, while another is situated further back on the right. A handbag rests on the floor to the left of the subject, and a tie hangs nearby. The arrangement of these objects—the chair, the bag, and the hanging garment—suggests a space prepared for a performance or a costume-related event.
Technique and Contextual Framework
The work utilizes monochrome photography to emphasize contrast and form. By removing color, the focus shifts to the patterns of the checkered jacket and the starkness of the eye patch against the skin. This piece belongs to a period in 1985 when the artist explored themes related to fairy tales and grotesque narratives, often utilizing prosthetics and theatrical elements to construct personas. The photograph functions as a study of a constructed identity, where the subject adopts a specific role through clothing and accessories. The presence of everyday items like a handbag and a tie alongside the costume creates a tension between the mundane environment and the theatrical character. This method of using the self as a model allows for an examination of how much of a persona is built through external, superficial cues.
O ovom umetničkom delu
- Naslov: Untitled #141
- Umetnik: Sindi Šerman
- Godina: 1985
- Prvobitne dimenzije: 184.0 x 125.0 cm
- Format: Portrait
- Status autorskih prava: Pod autorskim pravima
- Gde se može videti: The Feminist Institute
- Pokret: Contemporary Art
- Period: Contemporary
- Kontekst korpusa: gender role performance, deconstructing identity
Brzi pregled
- Movement: Contemporary Art
- Title: Untitled #141
- Medium: Black and white photograph
- Artistic style: Deconstruction of identity
- Subject or theme: Fairy Tales, grotesque narratives
Pitanja i odgovori
Da li je „Untitled #141”, Sindi Šerman portret, pejzaž ili kvadratna kompozicija?
„Untitled #141”, Sindi Šerman je u Portrait formatu. Format opisuje proporcije kompozicije.
O čemu se radi u delu "Untitled #141"?
"Untitled #141" je delo u tehnici Photo.
U kom periodu karijere Sindi Šerman pripada delo "Untitled #141"?
„Untitled #141“ pripada Mature Period u karijeri umetnika Sindi Šerman. Ova klasifikacija povezuje delo sa razvojem samog umetnika.