The Chartreuse de Champmol, formally the Chartreuse de la Sainte-Trinité de Champmol, was a Carthusian monastery on the outskirts of Dijon, which is now in France, but in the 15th century was the capital of the Duchy of Burgundy. The monastery was founded in 1383 by Duke Philip the Bold to provide a dynastic burial place for the Valois Dukes of Burgundy, and operated until it was dissolved in 1791, during the French Revolution. Called "the grandest project in a reign renowned for extravagance", it was lavishly enriched with works of art, and the dispersed remnants of its collection remain key to the understanding of the art of the period.
The Grand Trianon is a French Baroque style château situated in the northwestern part of the Domain of Versailles in Versailles, France. It was built at the request of King Louis XIV of France as a retreat for himself and his maîtresse-en-titre of the time, the Marquise de Montespan, and as a place where he and invited guests could take light meals away from the strict étiquette of the royal court. The Grand Trianon is set within its own park, which includes the Petit Trianon .
The Musée Cognacq-Jay is a museum located in the Hôtel Donon in the 3rd arrondissement at 8 rue Elzévir, Paris, France. It is open daily except Monday; admission is free. The nearest Metro stations are Saint-Paul and Chemin Vert.
The museum's collection was formed between 1900–1925 by Théodore-Ernest Cognacq and his wife Marie-Louise Jay , founders of La Samaritaine department store. At his death, Cognacq gave the collection to the City of Paris, which in 1929 inaugurated the Musée Cognacq-Jay at 25 boulevard des Capucines, a building especially conceived for it by the Cognacq couple, who wished to display the collection in the intimacy of a seemingly inhabited home, without the conventions of a museum. In 1990 however, the City, arguing that the Boulevard des Capucines was not part of a "cultural circuit", sought the approval of the legal heirs , and, under silent disagreement of the Cognacq-Jay family, moved the collection to the ill-fitting Hôtel Donon in the Marais, where the collection is displayed in twenty paneled rooms in the styles of Louis XV and Louis XVI. The renovation work of the Hôtel Donon was led by Paris' chief architect Bernard Fonquernie, whilst the interior renovation was done by Reoven Vardi.
The museum contains an exceptional collection of fine art and decorative items, about 1200 items in total, with an emphasis on 18th century France, ranging from European and Chinese ceramics, jewels, and snuffboxes, to paintings by Louis-Léopold Boilly, François Boucher, Canaletto, Jean-Siméon Chardin, Jean-Honoré Fragonard, Jean-Baptiste Greuze, Maurice Quentin de La Tour, Sir Thomas Lawrence, Hubert Robert, Giovanni Battista Tiepolo, and Jean-Antoine Watteau; sculpture by Jean-Antoine Houdon, Jean-Baptiste Lemoyne, and Jacques-François-Joseph Saly; and fine furniture attributed to Jean-François Oeben and Roger Vandercruse Lacroix. 17th century is also represented, notably with two paintings by Rembrandt while 19th century is represented with works by Camille Corot, Paul Cézanne and also Edgar Degas.
The Cognacq-Jay Museum is one of the 14 City of Paris' Museums that have been incorporated since 1 January 2013 in the public institution Paris Musées.
The Musée dauphinois , located in Grenoble , is dedicated to the ethnography, archaeology, history and society of the former province of the Dauphiné. Situated above the neighbourhood of Saint-Laurent in the listed historic monument of Sainte-Marie d’en-Haut, the Musée dauphinois is an accredited “Musée de France“ and takes part in the Long Night of Museums.Founded in 1906, the Musée dauphinois was the third museum in Grenoble, after the Musée-bibliotèque and the Musée d’histoire naturelle . The museum has occupied two different historical 17th century buildings: the former chapel of Sainte-Marie d’en-Bas from 1906-1968 and the present site of the former convent of Sainte-Marie d’en-Haut.
Each year its temporary exhibition spaces welcome a wide range of exhibitions, creating an important centre for regional culture in Grenoble. In 2004, a temporary exhibition exploring the treasures of Ancient Egypt helped the museum to surpass the important milestone of 100,000 annual visitors.
