Santa Maria delle Grazie is a church and Dominican convent in Milan, northern Italy, and a UNESCO World Heritage Site. The church contains the mural of The Last Supper by Leonardo da Vinci, which is in the refectory of the convent.
Santa Maria del Carmine is a church of the Carmelite Order, in the Oltrarno district of Florence, in Tuscany, Italy. It is famous as the location of the Brancacci Chapel housing outstanding Renaissance frescoes by Masaccio and Masolino da Panicale, later finished by Filippino Lippi.
The chiesa di San Salvatore di Ognissanti or more simply chiesa di Ognissanti , is a Franciscan church located on the piazza of the same name in central Florence, region of Tuscany, Italy. Founded by the lay order of the Umiliati, the church was dedicated to all the saints and martyrs, known and unknown.
The Church of St. Ignatius of Loyola at Campus Martius is a Roman Catholic titular church, of deaconry rank, dedicated to Ignatius of Loyola, the founder of the Society of Jesus, located in Rome, Italy. Built in Baroque style between 1626 and 1650, the church functioned originally as the chapel of the adjacent Roman College, that moved in 1584 to a new larger building and was renamed the Pontifical Gregorian University.
The Parish Basilica of Santa Maria del Popolo is a titular church and a minor basilica in Rome run by the Augustinian order. It stands on the north side of Piazza del Popolo, one of the most famous squares in the city. The church is hemmed in between the Pincian Hill and Porta del Popolo, one of the gates in the Aurelian Wall as well as the starting point of Via Flaminia, the most important route from the north. Its location made the basilica the first church for the majority of travellers entering the city. The church contains works by several famous artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat and Donato Bramante.
The Patriarchal Cathedral Basilica of Saint Mark , commonly known as St Mark's Basilica , is the cathedral church of the Roman Catholic Archdiocese of Venice, northern Italy. It is the most famous of the city's churches and one of the best known examples of Italo-Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has been the city's cathedral only since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello.
The building's structure dates back to the later part of the 11th century, and the most likely influence on its architecture and design is the Hagia Sophia. Much work has gone toward embellishing this, and the famous main façade has an ornamented roofline that is mostly Gothic. The gold ground mosaics that now cover almost all the upper areas of the interior took centuries to complete. In the 13th century the external height of the domes was greatly increased by hollow drums raised on a wooden framework and covered with metal; the original ones are shallower, as can be seen on the inside. This change makes the domes visible from the piazza.
Many of its rich artifacts and relics were plundered from Constantinople in the Fourth Crusade in 1204 CE, including many artifacts from the Hagia Sophia. The famous Madonna Nicopeia, also known as the icon of the Virgin Nicopeia, was looted from the Monastery of Stoudios and was one of the city's most precious icons, carried into battle by various Byzantine emperors. The icon was brought to Venice by Enrico Dandolo and the altar of the Virgin Nicopeia remains in St. Mark's Basilica until today. To the Venetians, the icon was a symbol that God had transferred His blessing from Constantinople to Venice by military conquest.For its opulent design, gold ground mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro . It achieves an Oriental feeling of exoticism, has all the elements of the Venetian style of the Renaissance Art, remains unique, and essentially a product of Italian workers of all sorts.
Spoleto Cathedral is the cathedral of the Archdiocese of Spoleto-Norcia created in 1821, previously that of the diocese of Spoleto, and the principal church of the Umbrian city of Spoleto, in Italy. It is dedicated to the Assumption of the Blessed Virgin Mary.
The church is essentially an example of Romanesque architecture, with a nave and two side-aisles crossed by a transept, although subsequently modified. It was built from the second half of the twelfth century after the city had been devastated by Frederick Barbarossa's troops, over an area where there had previously stood an earlier cathedral, dedicated to Saint Primianus and destroyed by the emperor. A notable external porch and the belfry were added in the fifteenth and sixteenth century respectively.
The façade is divided into three bands. The lower one has a fine architraved door with sculpted door-posts. Two pulpits are provided on each side of the porch. The upper bands are separated by rose windows and ogival arches. The most striking feature of the upper façade is the Byzantine-hieratic mosaic portraying Christ giving a Benediction, signed by one Solsternus . He signed his work with the inscription "Doctor Solsternus, hac summus in arte modernus" , calling himself an outstanding modern artist. Nothing else is known about him. He was certainly ahead of his contemporaries, because it would take half a century before the mosaics in Roman churches would surpass his style. The part of the belfry contemporary with the church reuses Roman and early medieval elements.
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The interior was significantly modified in the 17th–18th centuries, though it has kept the original Cosmatesque floor of the central nave remains. Another survival is the frescoed apse with four Scenes from the Life of the Virgin Mary, begun in 1467 by Filippo Lippi and completed two years later by his pupils Fra' Diamante and Piermatteo Lauro de' Manfredi da Amelia. Lippi is buried in the south arm of the transept.
Also noteworthy are the altar cross by Alberto Sozio, dated 1187, a Byzantine icon donated to the city by Barbarossa as a sign of peace and the frescoes by Pinturicchio in the Chapel of the Bishop of Eroli. Other frescoes from the 16th century are in the next chapel. The church also contains a polychrome wood statue of the Madonna and a choir with painted altar and tabernacle, in the Chapel of the Relics, under which lies the crypt of the former cathedral of San Primiano.
San Giorgio Maggiore is one of the islands of Venice, northern Italy, lying east of the Giudecca and south of the main island group. The island, or more specifically its Palladian church, is an important landmark. It has been much painted, featuring for example in a series by Monet.
