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Pinacoteca Nazionale in Ferrara

Ferrara

The Pinacotecta Nazionale is an art gallery in Ferrara, Emilia-Romagna, Italy. It is located on the piano nobile of the Palazzo dei Diamanti, a work of Renaissance architecture by Biagio Rossetti, commissioned by Leonello d’Este in 1447. Not to be confused with the Civic Museum on the lower floor, which has hosted temporary exhibitions of contemporary art since 1992, the Pinacoteca houses a collection of paintings by the Ferrarese School dating from the thirteenth to the eighteenth centuries. It was founded in 1836 by the Municipality of Ferrara after Napoleon's widespread dissolution of churches threatened the protection of important public artworks. The gallery is formed as much around notable northern Italian painters as it is around the exquisite interior decoration of the palace itself, together with remnants of frescoes from local churches and later acquisitions from the Sacrati Strozzi collection. Since 2015 the Pinacoteca Nazionale has formed a part of the Gallerie Estensi, a network of museums sharing Ferrara's cultural heritage with that of Modena and Sassuolo.

San Cassiano, Venice

Venice

San Cassiano is a 14th-century Roman Catholic church located in the San Polo sestiere of the Italian city of Venice. A church has stood on the site since 726 with the present building dedicated to Saint Cassian of Imola being consecrated in 1376 and re-modelled during the 17th century. It has a plain exterior with several adjacent buildings overlapping it. Its interior however is richly decorated in a Baroque style. The church is located on the Campo San Cassiano, site of the world's first public opera house, west of the Rialto Bridge and is open to visitors Tuesday-Saturday mornings.The church houses three paintings by the Italian artist Tintoretto, including The Crucifixion of Christ painted in 1568 which the art critic John Ruskin described as, "the finest [example of a Crucifixion painting] in Europe". However, the most famous painting associated with the church is paradoxically one which is no longer there. The San Cassiano altarpiece, painted for this church by Antonello da Messina, was the first major example of oil painting in the city. It disappeared from the church in the 17th century and was cut into sections; the remaining known pieces are re-united in Vienna.

San Giobbe

Venice

The San Giobbe Altarpiece is a c. 1487 oil painting by the Italian Renaissance master Giovanni Bellini, now in the Gallerie dell'Accademia in Venice.

San Giovanni Grisostomo, Venice

Venice

San Giovanni Grisostomo is a small church in the sestiere or neighborhood of Cannaregio, Venice. The church was founded in 1080, destroyed by fire in 1475, then rebuilt starting in 1497 by Mauro Codussi and his son, Domenico. Construction was completed in 1525. The bell tower dates from the late 16th century. The interior is based on a Greek cross design. Behind the façade are hung two canvasses, formerly organ doors, by Giovanni Mansueti depicting Saints Onuphrius, Agatha, Andrew and John Chrysostom. Onuphrius was the co-titular patron saint who was revered by the confraternity of the Tentori . In 1516, a relic of the saint, his finger, was donated to this church. The chapel on the right has the painting Saints Christopher, Jerome and Louis of Toulouse by Giovanni Bellini. On the left rear, the chapel of the Rosary or Madonna della Grazie has an altarpiece of Saints John Chrysostom, John the Baptist, John the Evangelist, Theodore, Mary Magdalene, Lucy and Catherine by Sebastiano del Piombo, commissioned by Caterina Contarini. On the wall of the apse are a series of canvases on the life of Saint John Chrysostom and Christ. On the high altar is a relief of the Deposition from the Cross. To the left is the chapel built for Giacomo Bernabò, with sculptural design by Codussi. The marble altarpiece of the Coronation of the Virgin was completed by Tullio Lombardo. Ceiling: God the Father, fresco by Giuseppe Diamantini.

San Giovanni dei Fiorentini

Lazio

San Giovanni dei Fiorentini is a minor basilica and a titular church in the Ponte rione of Rome, Italy. Dedicated to St. John the Baptist, the protector of Florence, the new church for the Florentine community in Rome was started in the 16th century and completed in the early 18th, and is the national church of Florence in Rome.

San Giovanni in Bragora

Venice

San Giovanni in Bragora is a church in Venice, Italy, located in the sestiere of Castello.

San Zulian

Venice

The Chiesa di San Giuliano , commonly called San Zulian in the Venetian dialect, is a church in Venice. San Zulian is in the parish of San Salvador. It is situated on the Merceria, the main shopping street of the city. Originally a structure from the 9th century; it underwent a number of reconstructions, including likely after the 1105 fire of the neighborhood. The façade was constructed in 1553-1554 by Jacopo Sansovino, and completed after his death in 1570 by Alessandro Vittoria. The flattened classical temple façade was paid for by the scholar Tommaso Rangone, whose bronze seated portrait appears above the door. In his hands, the physician Rangone holds sarsaparilla and guaiacum, two plants which he used to treat syphilis and yellow fever. The reliefs also depict a map of the world as was known at his death. As befitting his broad-ranging interests in classic texts, the flanking inscriptions are in Latin , Greek and Hebrew text. The interior was also designed by Sansovino, and the church consecrated in 1580.

San Pietro di Castello (church)

Venice

The Basilica di San Pietro di Castello , commonly called San Pietro di Castello, is a Roman Catholic minor basilica of the Patriarch of Venice located in the Castello sestiere of the Italian city of Venice. The present building dates from the 16th century, but a church has stood on the site since at least the 7th century. From 1451 to 1807, it was the city's cathedral church, though hardly playing the usual dominant role of a cathedral, as it was overshadowed by the "state church" of San Marco, and inconveniently located. During its history the church has undergone a number of alterations and additions by some of Venice's most prominent architects. Andrea Palladio received his first commission in the city of Venice from the Patriarch Vincenzo Diedo to re-build the facade and interior of St Pietro, but Diedo's death delayed the project. After St Mark's Basilica became Venice’s official cathedral , San Pietro fell into a state of disrepair. It was firebombed during the First World War and only through the efforts of conservation organisations has it been restored to its former state. Its ongoing conservation is now managed through its membership of the Chorus Association of Venetian churches. The church is located on San Pietro di Castello , a small island off the eastern end of the main city of Venice.

San Silvestro al Quirinale

Lazio

For the other church in Rome with the same name, see San Silvestro in Capite.San Silvestro al Quirinale is a historic church in central Rome, Italy. It is located near Via XXIV Maggio corner with Via Mazzarino, a few blocks south of the Piazza del Quirinale.