Palazzo Rucellai is a palatial fifteenth-century townhouse on the Via della Vigna Nuova in Florence, Italy. The Rucellai Palace is believed by most scholars to have been designed for Giovanni di Paolo Rucellai by Leon Battista Alberti between 1446 and 1451 and executed, at least in part, by Bernardo Rossellino. Its splendid facade was one of the first to proclaim the new ideas of Renaissance architecture based on the use of pilasters and entablatures in proportional relationship to each other. The Rucellai Palace demonstrates the impact of the antique revival but does so in a manner which is full of Renaissance originality.
The grid-like facade, achieved through the application of a scheme of trabeated articulation, makes a statement of rational humanist clarity.
The stone veneer of this facade is given a channeled rustication and serves as the background for the smooth-faced pilasters and entablatures which divide the facade into a series of three-story bays. The three stories of the Rucellai facade have different classical orders, as in the Colosseum, but with the Tuscan order at the base, a Renaissance original in place of the Ionic order at the second level, and a very simplified Corinthian order at the top level. Twin-lit, round-arched windows in the two upper stories are set within arches with highly pronounced voussoirs that spring from pilaster to pilaster. The facade is topped by a boldly projecting cornice.
The ground floor was for business and was flanked by benches running along the street facade. The second story was the main formal reception floor and the third story the private family and sleeping quarters. A fourth "hidden" floor under the roof was for servants; with almost no windows, it is quite dark inside.
The palace contains an off-center court , built to a design that may have been adapted from Brunelleschi's loggia at his Spedale degli Innocenti. In the triangular Piazza dei Rucellai in front of the palace and set at right angles to it is the Loggia de' Rucellai, which was used for family celebrations, weddings, and as a public meeting place. The two buildings taken together with the open space between them , form one of the most refined urban compositions of the Italian Renaissance.
The church of San Giorgio alla Costa, called in earlier times also dei Santi Giorgio e Massimiliano dello Spirito Santo is a small historical church in the Oltrarno district of the centre of Florence, situated on the steep slope of via Costa San Giorgio which runs uphill from Ponte Vecchio to Forte di Belvedere.
Bianca Cappello was an Italian noblewoman who was the mistress, and afterward the second wife, of Francesco I de' Medici, Grand Duke of Tuscany. Her husband officially made her his consort. Coincidentally, the creation of the fortunate term serendipity by the writer Horace Walpole is due to a portrait of Bianca.
The Loggia del Bigallo is a late Gothic building in Florence, region of Tuscany, Italy. It stands at the corner of Piazza San Giovanni and via Calzaioli; tradition holds the site near the Baptistry of Florence was donated by a benefactor.
The Orto Botanico di Firenze , also known as the Giardino dei Semplici, the "Garden of simples", is a botanical garden maintained by the University of Florence. It is located at Via Micheli, 3, Florence, Italy, and open weekday mornings.
The garden was established on December 1, 1545, by Cosimo I de' Medici, Grand Duke of Tuscany, and is Europe's third oldest, behind the Orto Botanico di Pisa and the Orto Botanico di Padova. It was first laid out by landscape gardener Niccolò Pericoli to a botanical system and plantings chosen by Luca Ghini, and rose to prominence under Cosimo III, with Pier Antonio Micheli as its director. As was typical of early European botanical gardens, its prime interest was in medicinal plants. However, as in 1753 the Società Botanica was formed, the garden's focus turned to "experimental agriculture" and its layout was revised accordingly. The garden grounds opened to the public in the mid-19th century, at about the same time that its glass houses were constructed.
Today the garden contains some 9,000 plant specimens laid out in a roughly square site surrounded by walls, crossed by a grid of walkways, and with a central fountain. Some trees are quite old, including a Taxus baccata and Quercus suber . Other species include:
