Amalie Rothschild was an American artist who lived and worked within the art community of Baltimore, Maryland. An accomplished painter and sculptor, she was also an art teacher, philanthropist, patron, and cultural advocate. Over the course of a long career, she made oil and acrylic paintings as well as drawings, watercolors, and other paper works. She also sculpted using found objects, Plexiglas, metals, and particleboard. Originally working in a realist style, she became well known for geometric abstractions based on figurative subjects. In 1993 a critic described this approach as "[walking] a tightrope between the abstract and the representational with a suggestion of three-dimensional depth." Rothschild was by choice a regional artist. Although she occasionally exhibited elsewhere, she did not actively promote her career outside a mid-Atlantic region centered on Baltimore. Thus, in 1997 a critic wrote, "Amalie Rothschild is a fixture and ornament of the Baltimore art world." At the time of her death a critic gave this career summary: "She was one of the leading artists of her time in this area. Her work is thoroughly modern and related to geometric abstraction, but without losing the figure. It has emotional reserve, often contains a hint of humor and at times recalls the childlike sagacity of the great Paul Klee."
Zenobia Camprubí Aymar was a Spanish-born writer and poet; she was also a noted translator of the works of Rabindranath Tagore.
She was born in Malgrat de Mar to a Puerto Rican mother and a Spanish father.
She later lived in the United States, studied in Columbia University, and spent the duration of the Spanish Civil War writing her Diario in Cuba. Her brother, José Camprubí, was owner and publisher of La Prensa, New York's most important Spanish-language daily newspaper, from 1918 to 1942.She eventually became a professor at the University of Maryland before her death from ovarian cancer, aged 69, in San Juan, Puerto Rico, two days after her husband Juan Ramón Jiménez received the Nobel Prize in Literature.
The Salvador Dalí Museum is an art museum in St. Petersburg, Florida, United States, dedicated to the works of Salvador Dalí. It houses the largest collection of Dalí's works outside Europe. It is located on the downtown St. Petersburg waterfront by 5th Avenue Southeast, Bay Shore Drive, and Dan Wheldon Way. On April 18, 2012, the AIA's Florida Chapter placed the building on its list of Florida Architecture: 100 Years. 100 Places.
Sarah Campbell Blaffer was an American philanthropist and contributor to the art collection of the Museum of Fine Arts, Houston. She inherited two fortunes based on oil money, one from her father's investments in Texaco, and the other from her husband's investments in Humble Oil.
Scripps College is a private liberal arts women's college in Claremont, California. Founded in 1926, it had an enrollment of 1,109 students as of 2019. It is a member of the Claremont Colleges and is known for its extensive interdisciplinary core curriculum and historic campus.
Scripps is an undergraduate institution with an emphasis in the humanities and in interdisciplinary education. It is widely regarded as the most prestigious women's college in the Western United States, and is consistently ranked the top such college by U.S. News and the other major rankings. The college is a top producer of Fulbright students.
The Sioux City Art Center began as a Works Progress Administration project in 1937 when the Art Center Association of Sioux City, the Sioux City Junior League, as well as other community supporters, received a grant of $3,000 to create the first art center. After the Federal Assistance Program ended in 1940, the Sioux City City Council voted to fund the Art Center and established the Board of Trustees, the City's fiscal governing board for the Art Center in 1941. It is located in Sioux City, Iowa.
The David and Alfred Smart Museum of Art is an art museum located on the campus of the University of Chicago in Chicago, Illinois. The permanent collection has over 15,000 objects. Admission is free and open to the general public.The Smart Museum and the adjacent Cochrane-Woods Art Center were designed by the architect Edward Larrabee Barnes.
The South Bend Museum of Art is located in South Bend, Indiana. Founded in 1947, the museum features historical and contemporary art in five galleries, and offers instruction in its studios. Since 1987, the museum has been accredited by the American Alliance of Museums, the highest level of professional standards. Located inside Century Center in downtown South Bend, the museum occupies three levels in the northern wing of the building, designed by Philip Johnson and John Burgee.
The museum's permanent collection is exhibited in the Carmichael Gallery and includes a mix of styles and imagery by American artists from the 19th Century to present day: historical paintings by the Hoosier Group of Impressionists as well as works by living Midwestern artists.
The museum galleries are infused with new work regularly. National traveling shows and thematic exhibitions fill the Warner Gallery; the Art League Gallery displays solo and group exhibitions by professional artists living and working in the Midwest; the Jerome J. Crowley Community Gallery exhibits local artist groups or student and faculty work.
The Southwest Museum of the American Indian is a museum, library, and archive located in the Mt. Washington neighborhood of Los Angeles, California. The museum is owned by the Autry Museum of the American West. Its collections deal mainly with Native Americans. It also has an extensive collection of pre-Hispanic, Spanish colonial, Latino, and Western American art and artifacts.
Major collections had included American Indians of the Great Plains, American Indians of California, and American Indians of the Northwest Coast. Most of those materials were moved off-site, but the Southwest Museum has maintained an ongoing public exhibition on Pueblo pottery, open free of charge.The Metro L Line stops down the hill from the museum at the Southwest Museum station. About a block from the L Line stop is an entrance on Museum Drive that opens to a long tunnel formerly filled with dioramas, since removed by the Autry Museum and placed in storage. At the end of the tunnel is an elevator to the museum's lower lobby.
