Self-PortraitGeorge Chinnery · 1825

  • Art movementRealism
  • Creation date1825
  • Dimensions22.0 x 18.0 cm

George Chinnery (1774 – 1852)

Explore George Chinnery (1774-1852), the British painter who captured life in India & China! Discover his portraits, landscapes & unique historical insights.

Chinnery painted more than a dozen self-portraits, the first of which he exhibited at the Royal Academy, London, in 1798; this is the most intimate and engaging of them all. An enigmatic figure, Chinnery was eccentric and volatile, with a tendency to hypochondria, a raconteur and wit with a gift for friendship. This likeness was painted in China and must date to the years 1825–28. Its first owner was the United States consul Benjamin Chew Wilcox, a businessman in the opium trade who commissioned a full-length portrait of himself from the artist (The Hong Kong and Shanghai Banking Corporation Ltd.).

About this artwork

  • Title: Self-Portrait
  • Artist: George Chinnery
  • Year: 1825
  • Original dimensions: 22.0 x 18.0 cm
  • Format: Portrait
  • Copyright status: Public domain
  • Corpus context: self-portraits – introspective, british colonialism
  • Color palette: Earthy
  • Main color: Espresso
  • Keywords: george chinnery, chinnery artwork, self-portrait painting

Questions & Answers

What is the creation date of "Self-Portrait" by George Chinnery?

The creation of "Self-Portrait" by George Chinnery is dated 1825.

Does "Self-Portrait" by George Chinnery use strong contrasts or soft harmonies?

The color composition of "Self-Portrait" by George Chinnery combines a serene contrast with a unified palette harmony.

Is "Self-Portrait" typical of what George Chinnery usually created?

"Self-Portrait" depicts portrait, self-reflection, spectacles, fur collar, china, 1825, british art, eccentric figure, while George Chinnery's recorded themes are self-portraits – introspective, volatile figure, asian travels, british portraiture, chinese aesthetics, realist detail, opium trade era, british colonialism. Comparing the two shows how the work relates to the artist's usual subjects.

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