Self-PortraitGeorge Chinnery · 1825

  • Umjetnički pravacRealism
  • Datum stvaranja1825
  • Dimenzije22.0 x 18.0 cm

George Chinnery (1774 – 1852)

Istražite Georgea Chinneryja (1774-1852), britanskog slikara koji je dočarao život u Indiji i Kini! Otkrijte njegove portrete, pejzaže i jedinstvene povijesne uvide.

Chinnery painted more than a dozen self-portraits, the first of which he exhibited at the Royal Academy, London, in 1798; this is the most intimate and engaging of them all. An enigmatic figure, Chinnery was eccentric and volatile, with a tendency to hypochondria, a raconteur and wit with a gift for friendship. This likeness was painted in China and must date to the years 1825–28. Its first owner was the United States consul Benjamin Chew Wilcox, a businessman in the opium trade who commissioned a full-length portrait of himself from the artist (The Hong Kong and Shanghai Banking Corporation Ltd.).

O ovom umjetničkom djelu

  • Naslov: Self-Portrait
  • Umjetnik: George Chinnery
  • Godina: 1825
  • Dimenzije originala: 22.0 x 18.0 cm
  • Format: Portrait
  • Status autorskih prava: Dostupno u javnom vlasništvu
  • Kontekst korpusa: self-portraits – introspective, british colonialism
  • Paleta boja: Earthy
  • Glavna boja: Espresso
  • Ključne riječi: george chinnery, chinnery artwork, self-portrait painting

Pitanja i odgovori

U kojoj je godini nastalo djelo "Self-Portrait" autora George Chinnery?

Djelo "Self-Portrait" autora George Chinnery nastalo je 1825. godine.

Koristi li "Self-Portrait" autora George Chinnery snažne kontraste ili meke harmonije?

Koloristička kompozicija djela "Self-Portrait" autora George Chinnery spaja Serene kontrast s Unified Palette harmonijom.

Je li "Self-Portrait" tipično za ono što je George Chinnery obično stvarao?

"Self-Portrait" prikazuje portrait, self-reflection, spectacles, fur collar, china, 1825, british art, eccentric figure, dok su zabilježene teme umjetnika George Chinnery povezani s self-portraits – introspective, volatile figure, asian travels, british portraiture, chinese aesthetics, realist detail, opium trade era, british colonialism. Usporedba ova dva elementa pokazuje kako se ovo djelo povezuje s uobičajenim motivima umjetnika.

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