Self-PortraitDžordž Čineri · 1825

  • Umetnički pravacRealism
  • Datum nastanka1825
  • Dimenzije22.0 x 18.0 cm

Džordž Čineri (1774 – 1852)

Istražite Džordža Činerija (1774–1852), britanskog slikara koji je dočarao život u Indiji i Kini! Otkrijte njegove portrete, pejzaže i jedinstvene istorijske uvide.

Chinnery painted more than a dozen self-portraits, the first of which he exhibited at the Royal Academy, London, in 1798; this is the most intimate and engaging of them all. An enigmatic figure, Chinnery was eccentric and volatile, with a tendency to hypochondria, a raconteur and wit with a gift for friendship. This likeness was painted in China and must date to the years 1825–28. Its first owner was the United States consul Benjamin Chew Wilcox, a businessman in the opium trade who commissioned a full-length portrait of himself from the artist (The Hong Kong and Shanghai Banking Corporation Ltd.).

O ovom umetničkom delu

  • Naslov: Self-Portrait
  • Umetnik: Džordž Čineri
  • Godina: 1825
  • Prvobitne dimenzije: 22.0 x 18.0 cm
  • Format: Portrait
  • Status autorskih prava: Javno dobro
  • Kontekst korpusa: self-portraits – introspective, british colonialism
  • Paleta boja: Earthy
  • Glavna boja: Espresso
  • Ključne reči: george chinnery, chinnery artwork, self-portrait painting

Često postavljana pitanja

Kada je nastalo delo „Self-Portrait”, autor Džordž Čineri?

Delo „Self-Portrait”, autor Džordž Čineri datira iz 1825. godine.

Da li „Self-Portrait”, autor Džordž Čineri koristi jake kontraste ili nežne harmonije?

Koloristička kompozicija dela „Self-Portrait”, autor Džordž Čineri spaja Serene kontrast sa Unified Palette harmonijom.

Da li je "Self-Portrait" tipično za ono što je Džordž Čineri obično stvarao?

"Self-Portrait" prikazuje portrait, self-reflection, spectacles, fur collar, china, 1825, british art, eccentric figure, dok su dokumentovane teme umetnika Džordž Čineri zapravo self-portraits – introspective, volatile figure, asian travels, british portraiture, chinese aesthetics, realist detail, opium trade era, british colonialism. Poređenje ova dva elementa pokazuje kako se ovo delo povezuje sa uobičajenim motivima ovog umetnika.

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