The devilClaudia Andujar · 1969

  • KunstisuunadDocumentary Photography
  • Loomimisaeg1969
  • Mõõtmed73.0 x 110.0 cm
  • MuuseumInstituto Moreira Salles
“The devil’s train”“The luggage they brought with them to São Paulo was filled with hope. Some came for work, others were looking for relatives who’d been swallowed up by the big city, others dreamed of recovering their lost health. They all wanted that one thing that for many was no more than a wish: a better life. And now the time had come for them to go back home: a place in the middle of nowhere in Minas, a small town in the backlands of Bahia. With a bundle of clothes and charity train fare, they boarded the red wood cars of the “Bahian train.” Creatures mistreated by fate were heading home with no more hope. The journey is long and arduous.” (article published in Realidade magazine, May of 1969, with text by Patricio Renato)In late February and early March of 1969, Andujar took the long train ride from Roosevelt Station (today Brás) in São Paulo to Salvador, Bahia. The journey lasted 7 days and most of the passengers were migrants from other states who had tried their luck in São Paulo. With no prospects in the capital, they ended up at the Department of Immigration and Colonization of the Secretary of Agriculture of São Paulo state, where they received a boxed lunch and a ticket home. Andujar took the long trip, registering the passengers with admirable empathy.

Claudia Andujar (1931 –)

Avastage Claudia Andujari võimsat fotograafiat (sünd. 1931), mis dokumenteerib Yanomami kultuuri ja kaitses Indigenous õigusi läbi kummaliste portreede ning eksperimentaalsete tehnikate.

Instituto Moreira Salles (Rio de Janeiro, Brasiilia)

Avastage IMS Rio fotod, muusika, kirjanduse ja kino pärandi! Leidke siit vapustav modernistlik arhitektuur, Burle Marx'i aiad ja lummavad näitused, mis kujutavad Brasiilia kunstikat

Teose info

  • Pealkiri: The devil
  • Kunstnik: Claudia Andujar
  • Aasta: 1969
  • Originaalmõõdud: 73.0 x 110.0 cm
  • Formaat: Landscape
  • Autoriõiguste staatus: Autoriõigusega kaitstud
  • Kust seda näeb: Instituto Moreira Salles
  • Loovperiood: Mature Period
  • Korpus kontekst: andujar's witness, social justice focus
  • Peavärv: Phthalo Green

Kord vagistamine

Millal teos "The devil" loodi ja millesse kunstisuuna see kuulub?

Teos "The devil" loodi aastal 1969, kuuludes Documentary Photography suunasse.

Millist kintust ja intensiivsust „The devil“, autor Claudia Andujar näitab?

Teose "The devil" värvitoon on kroomi方面 Muted ja intensiivsuse方面 Monochromatic.

Kust kohalt Claudia Andujar korduvad teemad teoses "The devil" ilmumisel?

"The devil" kujutab teemasid brazilian migration, human condition, social documentary, train journey”, “hope and despair”, “migrant life”, “1960s brazil”, samal ajal kui Claudia Andujar tuntud teemad on yanomami advocacy, indigenous rights", social justice focus, documenting marginalized, brazilian realism, post-war documentary, humanitarian lens, andujar's witness. Nende kahe võrdlemine näitab, kuidas teos seobub kunstniku tavalistega motiividega.

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