The devilClaudia Andujar · 1969

  • Movimento artísticoDocumentary Photography
  • Data de criação1969
  • Dimensões73.0 x 110.0 cm
  • MuseuInstituto Moreira Salles
“The devil’s train”“The luggage they brought with them to São Paulo was filled with hope. Some came for work, others were looking for relatives who’d been swallowed up by the big city, others dreamed of recovering their lost health. They all wanted that one thing that for many was no more than a wish: a better life. And now the time had come for them to go back home: a place in the middle of nowhere in Minas, a small town in the backlands of Bahia. With a bundle of clothes and charity train fare, they boarded the red wood cars of the “Bahian train.” Creatures mistreated by fate were heading home with no more hope. The journey is long and arduous.” (article published in Realidade magazine, May of 1969, with text by Patricio Renato)In late February and early March of 1969, Andujar took the long train ride from Roosevelt Station (today Brás) in São Paulo to Salvador, Bahia. The journey lasted 7 days and most of the passengers were migrants from other states who had tried their luck in São Paulo. With no prospects in the capital, they ended up at the Department of Immigration and Colonization of the Secretary of Agriculture of São Paulo state, where they received a boxed lunch and a ticket home. Andujar took the long trip, registering the passengers with admirable empathy.

Claudia Andujar (1931 –)

Descubra Claudia Andujar (1931), fotógrafa suíço-brasileira que documenta a cultura Yanomami e defende os direitos indígenas com retratos impactantes e técnicas inovadoras.

Instituto Moreira Salles (Rio de Janeiro, Brasil)

Explore o patrimônio artístico do Brasil no IMS Rio! Descubra a arquitetura modernista, jardins de Burle Marx e exposições cativantes de fotografia, música, literatura e cinema.

Sobre esta obra

  • Título: The devil
  • Artista: Claudia Andujar
  • Ano: 1969
  • Dimensões originais: 73.0 x 110.0 cm
  • Formato: Landscape
  • Estado dos direitos autorais: Sob direitos autorais
  • Onde ver: Instituto Moreira Salles
  • Período de criação: Mature Period
  • Contexto do corpus: andujar's witness, social justice focus
  • Cor principal: Phthalo Green

Perguntas e Respostas

Quando foi criada a obra "The devil" e a qual movimento ela pertence?

"The devil" foi realizada em 1969, dentro do movimento Documentary Photography.

Qual é a saturação e a intensidade de "The devil", de Claudia Andujar?

A cor de "The devil" apresenta Muted de saturação e Monochromatic de intensidade.

Como "The devil" se posiciona entre os temas recorrentes de Claudia Andujar?

"The devil" retrata brazilian migration, human condition, social documentary, train journey”, “hope and despair”, “migrant life”, “1960s brazil”, enquanto os temas recorrentes de Claudia Andujar são yanomami advocacy, indigenous rights", social justice focus, documenting marginalized, brazilian realism, post-war documentary, humanitarian lens, andujar's witness. A comparação entre ambos revela como a obra se relaciona com os temas habituais do artista.

© 2026 mus3ums.com