The devilClaudia Andujar · 1969

  • KunstretningDocumentary Photography
  • Dato for opprettelse1969
  • Dimensjoner73.0 x 110.0 cm
  • MuseumInstituto Moreira Salles
“The devil’s train”“The luggage they brought with them to São Paulo was filled with hope. Some came for work, others were looking for relatives who’d been swallowed up by the big city, others dreamed of recovering their lost health. They all wanted that one thing that for many was no more than a wish: a better life. And now the time had come for them to go back home: a place in the middle of nowhere in Minas, a small town in the backlands of Bahia. With a bundle of clothes and charity train fare, they boarded the red wood cars of the “Bahian train.” Creatures mistreated by fate were heading home with no more hope. The journey is long and arduous.” (article published in Realidade magazine, May of 1969, with text by Patricio Renato)In late February and early March of 1969, Andujar took the long train ride from Roosevelt Station (today Brás) in São Paulo to Salvador, Bahia. The journey lasted 7 days and most of the passengers were migrants from other states who had tried their luck in São Paulo. With no prospects in the capital, they ended up at the Department of Immigration and Colonization of the Secretary of Agriculture of São Paulo state, where they received a boxed lunch and a ticket home. Andujar took the long trip, registering the passengers with admirable empathy.

Claudia Andujar (1931 –)

Opplev Claudia Andujars kraftfulle fotografier (f. 1931) som dokumenterer Yanomami-kulturen og kjemper for urfolks rettigheter gjennom gripende portretter og eksperimentelle teknikker.

Instituto Moreira Salles (Rio de Janeiro, Brasil)

Utforsk Brasils kunstneriske arv ved IMS Rio! Oppdag fantastisk modernistisk arkitektur, Burle Marx-hager og fengslende utstillinger som viser fotografi, musikk, litteratur og film.

Om dette kunstverket

  • Tittel: The devil
  • Kunstner: Claudia Andujar
  • År: 1969
  • Opprinnelige mål: 73.0 x 110.0 cm
  • Format: Landscape
  • Opphavsrettslig status: Opphavsrettslig beskyttet
  • Utstillingssted: Instituto Moreira Salles
  • Kreativ periode: Mature Period
  • Kontekst for korpus: andujar's witness, social justice focus
  • Hovedfarge: Phthalo Green

Spørsmål og svar

Når ble "The devil" skapt, og hvilken kunstretning tilhører den?

"The devil" ble laget i 1969, innenfor Documentary Photography-retningen.

Hvilken metning og intensitet har "The devil" av Claudia Andujar?

Fargene i "The devil" har en metning på Muted og en intensitet på Monochromatic.

Hvor plasserer "The devil" seg blant Claudia Andujar sine gjentakende motiver?

"The devil" skildrer brazilian migration, human condition, social documentary, train journey”, “hope and despair”, “migrant life”, “1960s brazil”, mens de dokumenterte temaene til Claudia Andujar er yanomami advocacy, indigenous rights", social justice focus, documenting marginalized, brazilian realism, post-war documentary, humanitarian lens, andujar's witness. En sammenligning av disse viser hvordan verket relaterer seg til kunstnerens faste motiver.

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