The David Collection is a museum of fine and applied art in Copenhagen, Denmark, built around the private collections of lawyer, businessman and art collector C. L. David.
The museum is particularly noted for its collection of Islamic art from the 8th to the 19th century, which is one of the largest in Northern Europe. The museum also holds fine and applied art from Europe in the 18th century and the Danish Golden Age as well as a small collection of Danish early modern art. All the works of art in the collection of Danish early modern art were acquired by C. L. David himself.
The museum is located in a neo-classical building in 30 Kronprinsessegade in central Copenhagen, overlooking Rosenborg Castle Garden. From 2006 to 2009 the collection was closed to the public while the premises underwent a major refurbishment and rearrangement. When it reopened on 15 May 2009, it was described as "the most exclusive museum in Denmark" in national Danish newspaper Politiken.
デンマーク国立博物館(デンマークこくりつはくぶつかん、Nationalmuseet, 英語:National Museum of Denmark)はデンマークのコペンハーゲンにあるデンマークの主要な文化史の博物館である。そこではデンマークと外国の文化の歴史を等しく取り扱っている。
デンマーク先史時代の区画は、数年がかりの修繕後、2008年5月に再開された。
Sundby Church is a Church of Denmark parish church located on Amagerbrogade in Copenhagen, Denmark. Completed in 1870 to designs by Hans Jørgen Holm, it is the oldest church on the northern part of Amager.
Amalienborg Square, Copenhagen is an 1896 oil on canvas painting by the Danish artist Vilhelm Hammershøi in the Statens Museum for Kunst.This painting shows Amalienborg Square, Copenhagen in a hazy setting with full sunlight on the 1768 Neoclassical statue of Frederik V on Horseback, commissioned by the Asiatic Company and created by the French sculptor Jacques Saly. This statue took 14 years to complete and cost more than Amalienborg's four palatial buildings which surround it, which is perhaps why Hammershøi decided to place it in full sunlight. The lack of any trace of human life in the painting is typical of Hammershøi's work and emphasizes the monumental qualities of the subject. The skewed architectural lines give the painting a sense of space and the horseman seems to be trotting calmly out of the painting, leaving the two-dimensional palace behind him. The trompe l'oeil effect makes the painting seem taller, but it is actually square.
Other monumental paintings of architecture by Hammershøi in this period were: