Piazza San Marco , often known in English as St Mark's Square, is the principal public square of Venice, Italy, where it is generally known just as la Piazza . All other urban spaces in the city are called campi . The Piazzetta is an extension of the Piazza towards San Marco basin in its south east corner . The two spaces together form the social, religious and political centre of Venice and are commonly considered together. This article relates to both of them.
A remark usually attributed to Napoleon calls the Piazza San Marco "the drawing room of Europe".
The Fontana delle Tartarughe is a fountain of the late Italian Renaissance, located in Piazza Mattei, in the Sant'Angelo district of Rome, Italy. It was built between 1580 and 1588 by the architect Giacomo della Porta and the sculptor Taddeo Landini. The bronze turtles around the upper basin, usually attributed either to Gian Lorenzo Bernini or Andrea Sacchi, were added in either 1658 or 1659 when the fountain was restored.
Piazza Maggiore is a central square in Bologna, region of Emilia-Romagna, Italy. The appearance in the 21st century, generally reflects the layout from the 15th century. The Northwest corner opens into Piazza del Nettuno with its Fontana del Nettuno, while the Northeast corner opens into the narrower Piazza Re Enzo, running along the flanks of the Palazzo Re Enzo that merges with the Palazzo del Podestà. Flanking the Piazza del Nettuno is the Biblioteca Salaborsa.
The Peggy Guggenheim Collection is a modern art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is one of the most visited attractions in Venice. The collection is housed in the Palazzo Venier dei Leoni, an 18th-century palace, which was the home of the American heiress Peggy Guggenheim for three decades. She began displaying her private collection of modern artworks to the public seasonally in 1951. After her death in 1979, it passed to the Solomon R. Guggenheim Foundation, which opened the collection year-round from 1980.
The collection includes works of prominent Italian futurists and American modernists working in such genres as Cubism, Surrealism and abstract expressionism. It also includes sculptural works. In 2017, Karole Vail, a granddaughter of Peggy Guggenheim, was appointed Director of the collection, succeeding Philip Rylands, who led the museum for 37 years.
The Palazzo Venezia , formerly Palace of St. Mark, is a palazzo in central Rome, Italy, just north of the Capitoline Hill. The original structure of this great architectural complex consisted of a modest medieval house intended as the residence of the cardinals appointed to the church of San Marco. In 1469 it became a residential papal palace, having undergone a massive extension, and in 1564, Pope Pius IV, to win the sympathies of the Republic of Venice, gave the mansion to the Venetian embassy to Rome on the terms that part of the building would be kept as a residence for the cardinals, the Apartment Cibo, and that the republic would provide for the building's maintenance and future restoration. The palace faces Piazza Venezia and Via del Plebiscito. It currently houses the National Museum of the Palazzo Venezia.
Palazzo Rucellai is a palatial fifteenth-century townhouse on the Via della Vigna Nuova in Florence, Italy. The Rucellai Palace is believed by most scholars to have been designed for Giovanni di Paolo Rucellai by Leon Battista Alberti between 1446 and 1451 and executed, at least in part, by Bernardo Rossellino. Its splendid facade was one of the first to proclaim the new ideas of Renaissance architecture based on the use of pilasters and entablatures in proportional relationship to each other. The Rucellai Palace demonstrates the impact of the antique revival but does so in a manner which is full of Renaissance originality.
The grid-like facade, achieved through the application of a scheme of trabeated articulation, makes a statement of rational humanist clarity.
The stone veneer of this facade is given a channeled rustication and serves as the background for the smooth-faced pilasters and entablatures which divide the facade into a series of three-story bays. The three stories of the Rucellai facade have different classical orders, as in the Colosseum, but with the Tuscan order at the base, a Renaissance original in place of the Ionic order at the second level, and a very simplified Corinthian order at the top level. Twin-lit, round-arched windows in the two upper stories are set within arches with highly pronounced voussoirs that spring from pilaster to pilaster. The facade is topped by a boldly projecting cornice.
The ground floor was for business and was flanked by benches running along the street facade. The second story was the main formal reception floor and the third story the private family and sleeping quarters. A fourth "hidden" floor under the roof was for servants; with almost no windows, it is quite dark inside.
The palace contains an off-center court , built to a design that may have been adapted from Brunelleschi's loggia at his Spedale degli Innocenti. In the triangular Piazza dei Rucellai in front of the palace and set at right angles to it is the Loggia de' Rucellai, which was used for family celebrations, weddings, and as a public meeting place. The two buildings taken together with the open space between them , form one of the most refined urban compositions of the Italian Renaissance.
Palazzo Grassi is a building in the Venetian Classical style located on the Grand Canal of Venice , between the Palazzo Moro Lin and the campo San Samuele.
The Capitolium or Capitoline Hill , between the Forum and the Campus Martius, is one of the Seven Hills of Rome.
The hill was earlier known as Mons Saturnius, dedicated to the god Saturn. The word Capitolium first meant the temple of Jupiter Optimus Maximus later built here, and afterwards it was used for the whole hill , thus Mons Capitolinus . In an etiological myth, ancient sources connect the name to caput and the tale was that, when laying the foundations for the temple, the head of a man was found, some sources even saying it was the head of some Tolus or Olus. The Capitolium was regarded by the Romans as indestructible, and was adopted as a symbol of eternity.By the 16th century, Capitolinus had become Capitolino in Italian, and Capitolium Campidoglio. The Capitoline Hill contains few ancient ground-level ruins, as they are almost entirely covered up by Medieval and Renaissance palazzi that surround a piazza, a significant urban plan designed by Michelangelo.
The word Capitolium still lives in the English word capitol, and Capitol Hill in Washington, D.C. is widely assumed to be named after the Capitoline Hill.
The Palazzo Doria or Palazzo Andrea e Gio. Batta Spinola is a palace located in Via Garibaldi, in the historical center of Genoa, in Northwestern Italy. It was one of the 163 Palazzi dei Rolli of Genoa, the selected private residences where the notable guests of the Republic of Genoa were hosted during State visits. On 13 luglio del 2006 it was included in the list of 42 palaces which now form the UNESCO World Heritage Site Genoa: Le Strade Nuove and the system of the Palazzi dei Rolli.
The palace is the property of the Doria family and has a residential use. Only the exterior and limited internal areas are open to the public.
The Palazzo Corsini is a monumental palace located on Via del Parione #11, with a facade towards the Arno River, in Florence, region of Tuscany, Italy.
The Palais Bourbon serves as a meeting place of the French National Assembly, the lower legislative chamber of the French government. It is located in the 7th arrondissement of Paris, on the left bank of the Seine, across from the Place de la Concorde.
The Palace was originally built beginning in 1722 for Louise Françoise de Bourbon, the duchesse de Bourbon, the legitimized daughter of Louis XIV and the Marquise de Montespan. Four successive architects, Lorenzo Giardini, Pierre Cailleteau, Jean Aubert and Jacques Gabriel completed the house in 1728. It was nationalized during the French Revolution, and from 1795 to 1799, during the Directory, it was the meeting place of the Council of Five Hundred, which chose the government leaders. Beginning in 1806, during Napoleon's First French Empire, Bernard poyet's Neoclassical facade was added to mirror that of Church of the Madeleine, facing it across the Seine and the Place de la Concorde.
The Palace complex today has a floor area of 124,000m², with over 9500 rooms, in which 3000 people work. The complex includes the Hôtel de Lassay, on the west side of the Palais Bourbon; it is the official residence of the presidents of the National Assembly of France.
The Palais des Papes is a historical palace located in Avignon, Southern France. It is one of the largest and most important medieval Gothic buildings in Europe. Once a fortress and palace, the papal residence was the seat of Western Christianity during the 14th century. Six papal conclaves were held in the Palais, leading to the elections of Benedict XII in 1334, Clement VI in 1342, Innocent VI in 1352, Urban V in 1362, Gregory XI in 1370 and Benedict XIII in 1394.
