Santa Maria delle Grazie is a church in Arezzo, Tuscany, central Italy.
It is located on the site of an ancient sanctuary with a spring that, in the Etruscan-Roman era, it was consecrated to Apollo. In the Middle Ages it was known as Fonte Tecta.
In 1425, Saint Bernardino of Siena tried in vain to have it destroyed. Ousted from the city, he returned in 1428 and, this time, he was able to obtain the replacement of the spring with an oratory. Here, from 1428 and 1431, Parri di Spinello, son of Spinello Aretino, painted a fresco with the Madonna of Misericordia, now inserted in the marble altar by Andrea Della Robbia . The altar portrays, in the tympanum, a Madonna with Child between two Angels; in the niches are the saints Laurentinus, Pergentinus, Donatus and Bernardino, while the paliotto has a Pietà.
Around 1490, the oratory received a portico, designed by Benedetto da Maiano. The structure was inspired by Filippo Brunelleschi's Ospedale degli Innocenti. On the longest side it has seven arcades with medallions, on a basement with steps.
The church itself was built from 1435 to 1444, a late Gothic edifice designed by Domenico del Fattore, with a single nave with cross-vaults and a short apse. It houses a fresco with Pope Sixtus IV Enthroned between cardinals Gonzaga and Piccolomini. At the right side, a chapel dedicated to Saint Bernardino was built after his death in 1444.
Santa Chiara is a religious complex in Naples, Italy, that includes the Church of Santa Chiara, a monastery, tombs and an archeological museum. The Basilica church of Santa Chiara faces Via Benedetto Croce, which is the easternmost leg of Via Spaccanapoli. The church facade of Santa Chiara is diagonally across from the church of Gesù Nuovo.
Sant'Anna dei Lombardi, , and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in piazza Monteoliveto in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Orsini di Gravina.
The Church of Saint Andrew's at the Quirinal is a Roman Catholic titular church in Rome, Italy, built for the Jesuit seminary on the Quirinal Hill.
The church of Sant'Andrea, an important example of Roman Baroque architecture, was designed by Gian Lorenzo Bernini with Giovanni de'Rossi. Bernini received the commission in 1658 and the church was constructed by 1661, although the interior decoration was not finished until 1670. The site previously accommodated a 16th-century church, Sant'Andrea a Montecavallo.
Commissioned by former Cardinal Camillo Francesco Maria Pamphili, with the approval of Pope Alexander VII, Sant'Andrea was the third Jesuit church constructed in Rome, after the Church of the Gesù and Sant'Ignazio. It was to serve the Jesuit novitiate, which was founded in 1566. Bernini considered the church one of his most perfect works; his son, Domenico, recalled that in his later years, Bernini spent hours sitting inside it, appreciating what he had achieved.It has served as the titular church of Brazilian Cardinal Odilo Scherer since 2007.
Congonhas is a historical Brazilian city located in the state of Minas Gerais. It is situated 90 kilometres south from Belo Horizonte, the capital of state of Minas Gerais, by the highway BR-040. The city has a population of 50,000.
For the other church in Rome with the same name, see San Silvestro in Capite.San Silvestro al Quirinale is a historic church in central Rome, Italy. It is located near Via XXIV Maggio corner with Via Mazzarino, a few blocks south of the Piazza del Quirinale.
The Basilica di San Pietro di Castello , commonly called San Pietro di Castello, is a Roman Catholic minor basilica of the Patriarch of Venice located in the Castello sestiere of the Italian city of Venice. The present building dates from the 16th century, but a church has stood on the site since at least the 7th century. From 1451 to 1807, it was the city's cathedral church, though hardly playing the usual dominant role of a cathedral, as it was overshadowed by the "state church" of San Marco, and inconveniently located. During its history the church has undergone a number of alterations and additions by some of Venice's most prominent architects. Andrea Palladio received his first commission in the city of Venice from the Patriarch Vincenzo Diedo to re-build the facade and interior of St Pietro, but Diedo's death delayed the project.
After St Mark's Basilica became Venice’s official cathedral , San Pietro fell into a state of disrepair. It was firebombed during the First World War and only through the efforts of conservation organisations has it been restored to its former state. Its ongoing conservation is now managed through its membership of the Chorus Association of Venetian churches.
The church is located on San Pietro di Castello , a small island off the eastern end of the main city of Venice.
The Chiesa di San Giuliano , commonly called San Zulian in the Venetian dialect, is a church in Venice. San Zulian is in the parish of San Salvador.
It is situated on the Merceria, the main shopping street of the city. Originally a structure from the 9th century; it underwent a number of reconstructions, including likely after the 1105 fire of the neighborhood. The façade was constructed in 1553-1554 by Jacopo Sansovino, and completed after his death in 1570 by Alessandro Vittoria.
The flattened classical temple façade was paid for by the scholar Tommaso Rangone, whose bronze seated portrait appears above the door. In his hands, the physician Rangone holds sarsaparilla and guaiacum, two plants which he used to treat syphilis and yellow fever. The reliefs also depict a map of the world as was known at his death. As befitting his broad-ranging interests in classic texts, the flanking inscriptions are in Latin , Greek and Hebrew text.
The interior was also designed by Sansovino, and the church consecrated in 1580.
San Giovanni dei Fiorentini is a minor basilica and a titular church in the Ponte rione of Rome, Italy.
Dedicated to St. John the Baptist, the protector of Florence, the new church for the Florentine community in Rome was started in the 16th century and completed in the early 18th, and is the national church of Florence in Rome.
San Giovanni Grisostomo is a small church in the sestiere or neighborhood of Cannaregio, Venice.
The church was founded in 1080, destroyed by fire in 1475, then rebuilt starting in 1497 by Mauro Codussi and his son, Domenico. Construction was completed in 1525. The bell tower dates from the late 16th century. The interior is based on a Greek cross design.
Behind the façade are hung two canvasses, formerly organ doors, by Giovanni Mansueti depicting Saints Onuphrius, Agatha, Andrew and John Chrysostom. Onuphrius was the co-titular patron saint who was revered by the confraternity of the Tentori . In 1516, a relic of the saint, his finger, was donated to this church.
The chapel on the right has the painting Saints Christopher, Jerome and Louis of Toulouse by Giovanni Bellini. On the left rear, the chapel of the Rosary or Madonna della Grazie has an altarpiece of Saints John Chrysostom, John the Baptist, John the Evangelist, Theodore, Mary Magdalene, Lucy and Catherine by Sebastiano del Piombo, commissioned by Caterina Contarini. On the wall of the apse are a series of canvases on the life of Saint John Chrysostom and Christ. On the high altar is a relief of the Deposition from the Cross. To the left is the chapel built for Giacomo Bernabò, with sculptural design by Codussi. The marble altarpiece of the Coronation of the Virgin was completed by Tullio Lombardo.
Ceiling: God the Father, fresco by Giuseppe Diamantini.
San Cassiano is a 14th-century Roman Catholic church located in the San Polo sestiere of the Italian city of Venice. A church has stood on the site since 726 with the present building dedicated to Saint Cassian of Imola being consecrated in 1376 and re-modelled during the 17th century. It has a plain exterior with several adjacent buildings overlapping it. Its interior however is richly decorated in a Baroque style.
The church is located on the Campo San Cassiano, site of the world's first public opera house, west of the Rialto Bridge and is open to visitors Tuesday-Saturday mornings.The church houses three paintings by the Italian artist Tintoretto, including The Crucifixion of Christ painted in 1568 which the art critic John Ruskin described as, "the finest [example of a Crucifixion painting] in Europe".
However, the most famous painting associated with the church is paradoxically one which is no longer there. The San Cassiano altarpiece, painted for this church by Antonello da Messina, was the first major example of oil painting in the city. It disappeared from the church in the 17th century and was cut into sections; the remaining known pieces are re-united in Vienna.
Samuel Johnson Birthplace Museum is a biographical museum and bookshop located in the centre of the city of Lichfield, Staffordshire, in England. The building is a Grade I listed building situated at the corner of Market Street and Breadmarket Street opposite the market square.The museum opened in 1901 and is dedicated to the life and works of the author and lexicographer Samuel Johnson who wrote the first authoritative Dictionary of the English Language. Johnson's father built the house in 1707 and Samuel was born in the house on 18 September 1709 and spent the majority of his first 27 years in the house before leaving for London in 1737. The house was used as a commercial property for various trades between the time of Johnson's death in 1784 until the house was bought for the city by John Gilbert in 1900 for the purpose of retaining the building as a museum to Johnson. The house remains in active use as a museum.
Salisbury Guildhall is an 18th-century municipal building in the Market Place, Salisbury, England. It is a Grade II* listed building and is the meeting place of the Salisbury City Council.
The Collegiate Church of St. Bartholomew is an historical building in Liège, Belgium. Founded outside the city walls, it was built in coal sandstone, starting in the late 11th century and lasting until the late 12th century . It underwent, like most ancient religious buildings, modifications through the centuries. Nevertheless, the Meuse Romanesque—Ottonian architecture character of its architecture remained deeply rooted. The 18th century saw the addition of two more aisles, the opening of a neoclassical portal in the walls of the westwork, and the French Baroque redecoration of the interior. The interior of the western section has recently been restored back to the original style.
The Collegiate Church of St. Bartholomew was one of the original seven collegiate churches of Liège, which also included the Churches of St. Peter, St. Paul, St. John, St. Denis, St. Martin, and the Holy Cross, and until the Liège Revolution of 1789 collectively comprised the "secondary clergy" in the First Estate of the Prince-bishopric of Liège.
In 2006, the church emerged from heavy restoration work lasting seven years and involving 10,000 replaced stones and the restoration of the polychromy of the walls).
