TapestryStuart Daniel Baker · 1890
Embroidery
Textile
Folk Art
1890
19th Century
156.0 x 150.0 cm
Museo Casa de los Tiros de Granada
Stuart Daniel Baker (1954 –)
American musician and visual artist blending monochrome albumen prints of decaying architecture with vibrant, embroidered folk art tapestries.
Museo Casa de los Tiros de Granada (Granada, Spain)
Explore Granada's rich history at Museo Casa de los Tiros! Discover Renaissance art, Fajalauza ceramics & royal portraits in this stunning 16th-century palace. Free entry for EU citizens!
A Threaded Mythology
Indigo blue forms the deep, silent ocean upon which this scene floats. Every stitch is a small, deliberate act of memory, pulling wool through fabric to build a world of raised textures and heavy shadows. The composition centers on a medallion, a circular anchor for the eye, from which a frantic, beautiful geometry radiates outward. It is a dense thicket of shapes where birds and mythical creatures emerge from the dark dye, their forms defined by the thickness of the thread rather than the stroke of a brush. The surface is not flat; it is a landscape of tactile ridges and valleys that catch the light in uneven, honest ways.
The Language of the Stitch
The work operates through a vocabulary of symbols, each one a knot of color against the deep blue base. The imagery draws from the well of folk traditions, where every creature carries a weight of meaning beyond its physical shape. Within this embroidered field, one finds:
- Birds that suggest the movement of spirits or the lightness of breath.
- Suns and stars that map out a celestial, patterned heaven.
- Floral motifs that bloom in permanent, woolen stillness.
- Geometric borders that contain the chaos of the central figures.
These elements do not compete for space; they occupy it with a crowded, rhythmic abundance. The technique relies on the varied weight of the wool, creating a relief that invites the touch. It is a slow art, built one loop at a time, capturing a sense of storytelling through the physical presence of the material.
The Weight of the Past
Created in 1890, this piece carries the quiet gravity of a bygone era. It avoids the illusion of depth, choosing instead to embrace the flatness of the textile. There is no attempt to mimic the three-dimensional world; there is only the truth of the thread and the pattern. The work feels like a fragment of a larger, forgotten story, a piece of cultural fabric that has survived the passage of time through its sheer density of detail. It is a quiet, heavy thing. The blue remains deep.
About this artwork
- Title: Tapestry
- Artist: Stuart Daniel Baker
- Year: 1890
- Original dimensions: 156.0 x 150.0 cm
- Format: Square
- Copyright status: Under copyright
- Where to see it: Museo Casa de los Tiros de Granada
- Medium: Embroidery
- Medium type: Textile
- Corpus context: textile experimentation, narrative richness
Quick Facts
- Dimensions: 156 x 150 cm
- Subject or theme: Mythical creatures, animals, and flora
- Year: 1890
- Medium: Embroidered wool thread on blue textile
Questions & Answers
Where and for what purpose is "Tapestry" recommended?
Use (cultural) and space (living room) are the two recommendations recorded for "Tapestry" by Stuart Daniel Baker.
How is the color composition of "Tapestry" by Stuart Daniel Baker built?
The color analysis of "Tapestry" by Stuart Daniel Baker records a gentle contrast and a discordant palette harmony.
What orientation does "Tapestry" by Stuart Daniel Baker have?
"Tapestry" by Stuart Daniel Baker has a square format. The format describes the proportions of the composition.