TapestryStuart Daniel Baker · 1890
Embroidery
Textile
Folk Art
1890
19th Century
156.0 x 150.0 cm
Museo Casa de los Tiros de Granada
Stuart Daniel Baker(1954 –)
American musician and visual artist blending monochrome albumen prints of decaying architecture with vibrant, embroidered folk art tapestries.
Museo Casa de los Tiros de Granada(グラナダ, スペイン)
ムセオ・カサ・デ・ロス・ティロスでグラナダの豊かな歴史を探索しましょう!16世紀の壮麗な宮殿で、ルネサンス美術、ファハラウザ陶器、王族の肖像画を見ることができます。EU市民は入場無料です!
A Threaded Mythology
Indigo blue forms the deep, silent ocean upon which this scene floats. Every stitch is a small, deliberate act of memory, pulling wool through fabric to build a world of raised textures and heavy shadows. The composition centers on a medallion, a circular anchor for the eye, from which a frantic, beautiful geometry radiates outward. It is a dense thicket of shapes where birds and mythical creatures emerge from the dark dye, their forms defined by the thickness of the thread rather than the stroke of a brush. The surface is not flat; it is a landscape of tactile ridges and valleys that catch the light in uneven, honest ways.
The Language of the Stitch
The work operates through a vocabulary of symbols, each one a knot of color against the deep blue base. The imagery draws from the well of folk traditions, where every creature carries a weight of meaning beyond its physical shape. Within this embroidered field, one finds:
- Birds that suggest the movement of spirits or the lightness of breath.
- Suns and stars that map out a celestial, patterned heaven.
- Floral motifs that bloom in permanent, woolen stillness.
- Geometric borders that contain the chaos of the central figures.
These elements do not compete for space; they occupy it with a crowded, rhythmic abundance. The technique relies on the varied weight of the wool, creating a relief that invites the touch. It is a slow art, built one loop at a time, capturing a sense of storytelling through the physical presence of the material.
The Weight of the Past
Created in 1890, this piece carries the quiet gravity of a bygone era. It avoids the illusion of depth, choosing instead to embrace the flatness of the textile. There is no attempt to mimic the three-dimensional world; there is only the truth of the thread and the pattern. The work feels like a fragment of a larger, forgotten story, a piece of cultural fabric that has survived the passage of time through its sheer density of detail. It is a quiet, heavy thing. The blue remains deep.
作品詳細
- 作品名: Tapestry
- 作家: Stuart Daniel Baker
- 制作年: 1890
- 作品サイズ: 156.0 x 150.0 cm
- 技法: Square
- 著作権の状態: 著作権保護対象
- 展示場所: Museo Casa de los Tiros de Granada
- 技法・素材: Embroidery
- 技法・素材: Textile
- 作品の背景情報: textile experimentation, narrative richness
作品詳細
- Dimensions: 156 x 150 cm
- Subject or theme: Mythical creatures, animals, and flora
- Year: 1890
- Medium: Embroidered wool thread on blue textile
Q&A
「Tapestry」は、どのような場所や用途での使用がおすすめですか?
Stuart Daniel Baker作「Tapestry」 のおすすめの用途は (Cultural)、飾る場所は (Living Room) です。
Stuart Daniel Baker作「Tapestry」の色彩構成はどのように成り立っていますか?
Stuart Daniel Baker作「Tapestry」 の色彩分析は、Gentle なコントラストと Discordant Palette な調和を捉えています。
Stuart Daniel Baker作「Tapestry」の向き(横長・縦長)はどちらですか?
Stuart Daniel Baker作「Tapestry」はSquare形式です。この形式は、構図の比率を表しています。